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ABR Arts

Book of the Week

Thunderhead
Fiction

Thunderhead by Miranda Darling

A feminist triumph and homage to Virginia Woolf, Miranda Darling’s Thunderhead is a potent exploration of suburban entrapment for women. The novella opens with a complex satire of Ian McEwan’s response to Woolf’s Mrs Dalloway (1925) in his novel Saturday (2005). All three books are set over the course of a single day, where the intricacies of both the quotidian and extraordinary occur. In this novella’s opening paragraphs, Darling’s protagonist, Winona Dalloway, wakes to see the sky ablaze through her window. While ‘it is dawn in the suburbs of the east’ – rather than a burning plane, evoking 9/11 terrorism, as in McEwan’s novel – she believes it ‘telegraphs a warning, red sky in the morning’. This refers to the opening of Mrs Dalloway, where Clarissa Dalloway feels, ‘standing there at the open window, that something awful was about to happen’.

Interview

Interview

From the Archive

From the Archive

June 2010, issue no. 322

'Retreat to the castle' by Janene Carey

In Australia, fewer than one in three expected deaths takes place outside an institution, but eighty per cent of people say they would rather die at home.

From the Archive

February 2014, no. 358

Ray Cassin reviews 'Infamy' by Lenny Bartulin.

Infamy comes packaged with a blurb declaring it to be an Australian western, and a testimonial from Malcolm Knox, who compares this evocation of the hellish convict colony of Van Diemen’s Land in the 1830s with the imaginative achievements of Martin Scorsese. Neither claim is quite right. Bartulin’s narrative style does have affinities with a certain sort of action movie: the reader is wrenched from short take to short take, with one clutch of characters momentarily left in peril while the plight of others is unveiled. This builds suspense and mostly works, but the relentless violence is more reminiscent of Peckinpah than Scorsese. And, although that does put Infamy in the realm of the western, the tale keeps drifting towards the mood and conventions of an earlier Hollywood genre, the swashbuckling adventure movies of the 1930s. This is The Wild Bunch meets Captain Blood.