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Judith Loriente

Soon after the end of World War II, Robert Booker, husband of Catherine, returns from service in New Guinea to their home in Sydney. It is immediately apparent that their relationship has deteriorated. With Catherine’s hasty disposal of a telegram from an American soldier named Lewis, we learn that she has had an affair, and also a child, in Robert’s absence. The story then moves back to 1944, when the liaison began. Eventually it returns to the present, and Catherine has a hard time concealing her affair and child from her husband.

... (read more)

Soon after the end of World War II, Robert Booker, husband of Catherine, returns from service in New Guinea to their home in Sydney. It is immediately apparent that their relationship has deteriorated. With Catherine’s hasty disposal of a telegram from an American soldier named Lewis, we learn that she has had an affair, and also a child, in Robert’s absence. The story then moves back to 1944, when the liaison began. Eventually it returns to the present, and Catherine has a hard time concealing her affair and child from her husband.

... (read more)

The past is in Scotland

Dear Editor,

Christina Hill’s review of Peter Goldsworthy’s latest novel, Everything I Knew (November 2008), seems sure-footed in both its negative assessment of an ‘overwrought, undisciplined’ work and its appreciation of the novel’s compositional play, both intricate and subversive, with L.P. Hartley’s The Go-Between. It makes no mention, however, of the novel’s pointed intrigue with lyricism.

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