Ben Brooker
To highlight Australian Book Review’s arts coverage and to celebrate some of the year’s memorable concerts, operas, films, ballets, plays, and art exhibitions, we invited a group of critics and arts professionals to nominate some favourites.
... (read more)Things I Know To Be True (State Theatre Company of South Australia and Frantic Assembly) ★★★★
At least as far back as 2002, playwright Andrew Bovell was advocating for more diversity on Australia's main stages: 'I see the same actors,' he told Hilary Glow in an interview for her book Power Plays (2007), '[and] they are invariably white and Anglo-Saxon, and I am not satisfied with that as ...
... (read more)Letters to the Editor in the May issue of Australian Book Review
... (read more)'What's in a name?' asked Juliet. Desdemona, like the rose, might have been called anything else and retained the same meanings. But for us, as we are reminded at the beginning of Desdemona, the name has become synonymous with misery and doom. The speaker is Desdemona herself. How can this be? If we know anything else about her, it is that Othello murdered ...
To highlight Australian Book Review's arts coverage and to celebrate some of the year's memorable concerts, operas, films, ballets, plays, and exhibitions, we invited a group of critics and arts professionals to nominate their favourites – and to nominate one production they are looking forward to in 2016. (We indicate which works were reviewed in Arts Up ...
‘Down at the Dump’ is the final story in Patrick White’s 1964 collection, The Burnt Ones. It begins with a colloquial ‘Hi!’, marooned on the story’s first line, and ends with a short, unpunctuated paragraph, intensely poetic, that recalls James Joyce at his least opaque: ‘The warm core of certainty settled stiller as driving faster the wi ...
Good and evil, damnation and salvation, love and death, virtue and folly: State Opera of South Australia’s pairing of Gounod’s five-act grand opera Faust () with Verdi’s momentous opera cum oratorio Requiem
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Australian plays good or simply fortunate enough to make it from page to stage have historically tended to meet one of two fates: canonisation or, much more likely, limited production when still new and utter neglect thereafter. Independent Melbourne theatre company Don’t Look Away, established in 2013 under the artistic direction of Phil Rouse, specialises in exh ...
Ben Brooker reviews 'Black Diggers' (Queensland Theatre Company) and 'Rotunda' (New Zealand Dance Company)
Black Diggers (), written by Tom Wright, directed by Wesley Enoch, and produced by the Queensland Theatre Company, received its world première at the 2014 Sydney Festival in January. Then, the full clamour of Australia’s more than $400 m ...
Leading arts critics and professionals nominate some of their favourite performances for 2014.
... (read more)