In under a decade Bill Henson has managed, by careful and strategic marketing, to become probably Australia’s leading art photographer. This status is based on the precise circulation of three or four exhibitions of work, Untitled Sequence 1979, the Untitled 1980–82 series, the Untitled 1983–84 series, and the Untitled 1985–86 series. The titles indicate a continuity of practice rather tha ...
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