Louise HansonDyer

Louise Berta Mosson Dyer (née Smith; later Hanson-Dyer; hereafter, Louise) lived several lives. An eccentric Melbourne socialite, married into the money of Linoleum King, Jimmy Dyer, she moved on from the expectations of provincial charitable good works in her mid-forties to found a ground-breaking new publishing house in Paris. Les Éditions de l’Oiseau-Lyre, or the Lyrebird Press, pioneered innovative, daring editions – of music, books, and later, recordings – sometimes at the cutting edge of technology.

One of the defining features of recent years in Australian ‘literature’ (as I suppose we must call it), in tandem with a perceived growth in the quantity of fiction and poetry by women, titles reflecting the ethnic diversity of origin in more and more writers, and a growth industry in Aboriginal studies, has been the remarkable increase in sophistication of approach to biography. Perhaps more specifically, cultural biography.