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Australian Literary Studies

How, not being an anthropologist, do you set about reviewing tales and fragments of experience from Aboriginals of the Kimberleys? You might begin by stating your difficulties.

People like me can usually establish some kind of empathetic link with the arts and traditions of many cultures. If we cannot feel our way into them, at least we can derive intellectual pleasure from contemplating them: as a rule there is some point of contact, although to us, of the western heritage, nothing can ever be as real as what belongs to the family of Hellenism. I can ‘make something’ of Hindu sculpture, Inca masks, Negro jazz; perhaps even of shamanic spells.

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‘Go, little book,’ or the book as emissary, is not the simple matter that it once was.

Australian books and their authors now go to most European and Asian countries on diplomatic duties.

The purpose is neither to broaden the writers’ lives nor to sell books abroad, but to supplement the Government’s other diplomatic initiatives.

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While the reading of a book has become a solitary matter, its interpretation remains a convivial task which must be performed anew for each new reader, new age, and new country. The business of criticism is to help us in this task, and from a multitude of judgements to further our understanding of an author’s words for our time.  The critic is therefore involved not only with books, but through them with the cultural problems of his society. Critical debates thus become debates about major social issues.

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