Olga Masters

Publishers are like invisible ink. Their imprint is in the mysterious appearance of books on shelves. This explains their obsession with crime novels.

To some authors they appear as good fairies, to others the Brothers Grimm. Publishers can be blamed for pages that fall out (Look ma, a self-exploding paperback!), for a book’s non-appearance at a country town called Ulmere. For appearing too early or too late for review. For a book being reviewed badly, and thus its non-appearance – in shops, newspapers and prized shortlistings.

As an author, it’s good therapy to blame someone and there’s nothing more cleansing than to blame a publisher. I know, because I’ve done it myself. A literary absolution feels good the whole day through.

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With her first book, the short story collection The Home Girls, Olga Masters has made her ‘own’ a particularly neglected area of Australian life and a special way of seeing it. She also became an award winner in the 1983 NBC Awards for Australian Literature. Now, with her first novel, Loving Daughters she confirms the impression that a unique voice and an important one has joined the ranks of our major storytellers. Her territory is confined to the lives of ordinary country-folk in the period between the wars, in the present work the period around the early 1920s and the place a small farming township on the south coast of New South Wales.

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