Penguin’s publication of Helen Daniel’s critical book on the fiction of David Ireland is their first venture into Australian criticism, and one which I hope will be the beginning of a series on Australian writers.
David Ireland is an obvious choice for the launching of such a venture. As Daniel points out, he does not have the international reputation or readership of White or Keneally; she seems to suggest that this is because he is a far more ‘adventurous’ and ‘elusive’ writer. He has always been a controversial author in Australia, winner of many major awards, placed on some school/university reading lists, while barred as ‘obscene’ by other institutions.
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