Paul Dano, one of the most soulful and intense actors of his generation, has appeared in a number of films over the last decade in which rupture and dysfunction serve to undermine a family unit. In Little Miss Sunshine (2006) he famously played the voluntarily mute Dwayne, while the elegant and underrated For Ellen (2012) is another meditation on family that sees Dano’s character struggle between his ambition as a musician and his duty to his child. You could even argue that Love & Mercy (2014), with Dano excelling as Brian Wilson of the Beach Boys, is at least in part the tale of personal relationships imploding within the family-like structure of a band.
Read the rest of this article by subscribing to ABR Online for as little as $10 a month. We offer a range of subscription options, including print, which can be found by clicking here. If you are already a subscriber, enter your username and password in the ‘Log In’ section in the top right-hand corner of the screen. If you require assistance, contact us or consult the Frequently Asked Questions page.
Barnaby Smith is a writer, critic, poet and musician currently based in northern New South Wales. His has written for Rolling Stone, the ABC, The Guardian, The Lifted Brow, The Quietus, Art Guide, Southerly, Cordite, Best Australian Poems and many others. In 2018 he won the Scarlett Award for art writing.
Leave a comment
Please note that all comments must be approved by ABR and comply with our Terms & Conditions.
NB: If you are an ABR Online subscriber or contributor, you will need to login to ABR Online in order to post a comment. If you have forgotten your login details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to email@example.com. We will review your comment and, subject to approval, we will post it under your name.