Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Michael Halliwell

Coronation of Poppea (Pinchgut Opera) ★★★★

Michael Halliwell
Friday, 01 December 2017

The political and sexual machinations on the stage at Angel Place in Sydney, ostensibly depicting an event during the inglorious reign of Emperor Nero in 54–68 CE, might be interpreted in a very contemporary light in terms of politics and society. An opera that represents ruthless political ambition allied to lust, cruelty, corruption ...

... (read more)
Published in ABR Arts

Hamlet (Glyndebourne Opera Festival) ★★★★★

Michael Halliwell
Tuesday, 13 June 2017

Three ‘new’ operatic versions of Hamlet in two years: the time is certainly not ‘out of joint’ for Shakespeare. Italian composer and conductor Franco Faccio’s Amleto was successfully premièred in Genoa in 1865, but then had a disastrous performance at La Scala in Milan in 1871 ...

... (read more)
Published in ABR Arts

Michael Halliwell interviews Australian composer, violist, and conductor Brett Dean for the ABR Podcast. Dean composed the opera Bliss based on the Peter Carey novel, and was for many years a violist with the Berlin Philharmonic Orchestra. He was the Artistic Director of the Australian National Academy of Music(ANAM) in Melbourne, and is now a ...

Published in The ABR Podcast

2016 Arts Highlights of the Year

John Allison et al.
Wednesday, 26 October 2016

To highlight Australian Book Review’s arts coverage and to celebrate some of the year’s memorable concerts, operas, films, ballets, plays, and art exhibitions, we invited a group of critics and arts professionals to nominate some favourites.

... (read more)
Published in November 2016, no. 386

Letters to the Editor - September 2016

Wednesday, 24 August 2016

Dear Editor, Melbourne geographer Peter Christoff may be right that Australia should shake off its island mentality, but he is wrong to suggest that Australia has become much ...

... (read more)

Mozart's third great collaboration with librettist Lorenzo da Ponte, Così fan tutte, has enjoyed a chequered performance history since its première in the Burgtheater in Vienna in 1790, a year before Mozart's death. Its initial series of performances were interrupted by the death of Emperor Joseph ...

... (read more)
Published in ABR Arts

Cloudstreet (State Opera of South Australia) ★★★★1/2

Michael Halliwell
Monday, 16 May 2016

If any contemporary Australian novel can be said to be canonical, or perhaps even 'the great Australian novel', then it must be Tim Winton's Cloudstreet. Published in 1991, it soon acquired a devoted following and elevated Winton into the top rank of Australian writers ...

... (read more)
Published in ABR Arts

The Pearlfishers ★★★1/2

Michael Halliwell
Monday, 18 January 2016

'One-hit' operas litter the repertoire. One thinks of the aria 'Ebben? Ne andrò lontana', which every soprano worth her salt has sung in concert and many have recorded. The aria was the thread running through the cult move, Diva (1981), sung in a concert scene in the film by the soprano ...

... (read more)
Published in ABR Arts

Winterreise (Sydney Festival) ★★★★★

Michael Halliwell
Friday, 08 January 2016

The protagonist of Thomas Mann's great novel, The Magic Mountain (1924), Hans Castorp, goes into battle, and almost certainly his death, at the end of the book singing 'Der Lindenbaum' from Schubert's song cycle, Winterreise: The song meant a great deal to him, a whole world ... His fate ...

... (read more)
Published in ABR Arts

L'Amant jaloux (Pinchgut Opera)

Michael Halliwell
Friday, 04 December 2015

The 'anxiety of influence' is just as pertinent to music as it is to all the arts. Scholars have claimed that Mozart was strongly influenced in the composition of Le nozze di Figaro (1786), by André Grétry's (1741–1813) L'Amant jaloux (The Jealous Lover, or False Appearances) (1778). The musical and dramatic genius of ...

... (read more)
Published in ABR Arts
Page 4 of 5