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Letters

Alex Miller’s most recent book, A Kind of Confession, begins with notebook entries from his pre-publication period – long years in which his deep trust in his identity as a writer appears to have been unshaken. In 1971, he notes: ‘I’ve been committed to writing since I was 21, 13 years. Quite a stretch, considering I’ve yet to publish.’ He was in his fifties before his first novel emerged. Yet even when he complains about his apparent failure – ‘Almost 40 and only 2 short stories published. It makes no sense’ – there is no real lapse of direction; he knows what he is. We can’t read excerpts from these early notebooks and diaries without an awareness of his later success as the winner of significant prizes, including the Miles Franklin Literary Award (twice), the Commonwealth Writers’ Prize, the Melbourne Prize for Literature, the Manning Clark Medal, and the Weishanhi Best Foreign Novel of the Year.

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Published in December 2023, no. 460

Letters to the Editor - November 2023

Patrick Hockey, et al.
Thursday, 26 October 2023

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Published in November 2023, no. 459

Letters to the Editor - October 2023

Miranda Johnson, et al.
Friday, 22 September 2023

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Published in October 2023, no. 458

Stanner in reverse

James Curran
Thursday, 24 August 2023

Clare Wright’s letter in response to Bain Attwood (ABR, August 2023) should profoundly disturb and unsettle anyone in this country concerned about the survival of active, rigorous, and engaged historical scholarship.

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Letters to the Editor - September 2023

Bain Attwood, et al.
Thursday, 24 August 2023

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Letters to the Editor - July 2023

John Carmody, et al.
Monday, 26 June 2023

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Published in July 2023, no. 455

Letters to the Editor - June 2023

Rod Moran, et al.
Tuesday, 23 May 2023

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Published in June 2023, no. 454

In the history of the American musical, Oscar Hammerstein II (1895–1960) presents us with what his Siamese king would have described as a puzzlement. Lacking the sophistication of Cole Porter, the verbal dexterity of Lorenz Hart, and the sly wit of Ira Gershwin, his lyrics, taken out of context, can seem hokey and sentimental. Will he ever be forgiven for The Sound of Music’s ‘lark who is learning to pray’? And yet it is his works, written in collaboration with Richard Rodgers, that are constantly revived rather than the flimsier concoctions of his more favoured contemporaries. 

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Published in May 2023, no. 453

Letters to the Editor - May 2023

Neal Morrisey, et al.
Monday, 24 April 2023

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Published in May 2023, no. 453

Letters to the Editor - April 2023

Paul Morgan & Frances Wilson
Monday, 27 March 2023

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Published in April 2023, no. 452