Francesca Sasnaitis
Francesca Sasnaitis reviews 'Beautiful Balts: From displaced persons to new Australians' by Jayne Persian
I grew up in a New Australian household, and admit at the outset to a biased view. My Lithuanian-born parents were actual Baltic immigrants among the other nationalities referred to by the blanket designation ‘Balt’. Much of the anecdotal material of Jayne Persian’s Beautiful Balts was deeply familiar to me from childhood ...
... (read more)On Chesil Beach is not Ian McEwan’s first screenplay, nor his only adaptation for the screen. The Children Act (2017), directed by Richard Eyre and based on McEwan’s 2014 novel, is also due for release in 2018. In an interview he gave at the Toronto International Film Festival, where both films premièred, McEwan ...
... (read more)Song to Song is writer and director Terrence Malick’s cinematic version of the modernist literary experiment: multiple internalised viewpoints, stream-of-consciousness narrative, chronological fragmentation, and a reality apprehended through symbolic or metaphoric conjunction. He is abetted in this project by ...
... (read more)Francesca Sasnaitis reviews 'On the Blue Train' by Kristel Thornell
On the Blue Train is Kristel Thornell’s reimagining of Agatha Christie’s mysterious disappearance in 1926. Thornell might have let her imagination fly, given that both Dorothy ...
... (read more)Francesca Sasnaitis reviews 'Inside the Art Market: Australia’s galleries: A history 1956–1976' by Christopher Heathcote
Like any good storyteller, Christopher Heathcote begins by setting the scene: ‘one of those scruffy unpaved streets on the outer fringe’ of Melbourne on a wintry day in 1956 ...
... (read more)Francesca Sasnaitis reviews 'Commonwealth' by Ann Patchett
Life, one of Commonwealth's minor characters remarks, is a series of losses. Teresa Cousins acknowledges that life is also other, better things, but that it is the losses that define us ...
... (read more)Francesca Sasnaitis reviews 'Whisperings in the Blood: A memoir' by Shelley Davidow
Shelley Davidow's multi-generational memoir begins in 1913 with her Jewish great-grandfather Jacob escaping the pogroms of tsarist Lithuania for the rigours of life in the American Midwest. The English language eludes Jacob, who struggles to make a decent living in his adopted country. Poverty contributes to his wife's untimely death. Jacob's son and daughter are co ...
Francesca Sasnaitis reviews 'Leaving Elvis and Other Stories' by Michelle Michau-Crawford
Michau-Crawford's accomplished début collection bears comparison to Tim Winton's impressionistic The Turning (2005) and Elizabeth Strout's Olive Kitteridge (2008), though Leaving Elvis is properly neither the portrait of place nor of a single character. The place might be any dilapidated small town in the wheat-belt region of Western Australia. Th ...
Francesca Sasnaitis reviews 'Crow's Breath' by John Kinsella
Recently I drove east from Perth through wheat belt country to the Helena and Aurora Ranges, past Cunderin, Kellerberrin, and Koolyanobbing, towns whose names echo the rhythms of the landscape; past the shimmering salt pan that was once Lake Deborah East; down rutted tracks which changed abruptly from red earth to yellow sand; past the ravages of iron ore mines to t ...
Francesca Sasnaitis reviews 'A Madras Miasma' by Brian Stoddart
Brian Stoddart is a scholar and expert in the history of modern India, with sixteen works of non-fiction to his credit. His first novel, A Madras Miasma, is set soon after World War I. The body of an Englishwoman is found with her head buried in the rancid mud of the Buckingham Canal, behind Chepak Palace. Superintendent Christian Jolyon Brenton Le Fanu, head of the recently formed Madras City Crime Unit, and his Muslim sidekick, Sergeant Mohammad Habibullah, must solve the case as quickly as possible. They are hampered by the teeming and uncooperative population of the riverbanks, political unrest, the disquiet of the British ruling class, and, to top things off, the truculent Commissioner of Police Arthur Jepson, who is determined to ‘take [Le Fanu] out’.
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