Christos Tsiolkas

In early 2018, Christos Tsiolkas published a long essay as part of a series commissioned by the Sydney branch of PEN, an organisation dedicated to freedom of expression. ‘Tolerance’, which appeared in Tolerance, Prejudice and Fear (2008), is an interesting document, not least for the way it highlights how compelling yet exasperating a writer Tsiolkas can be.

Tolerance, Prejudice and Fear comprises a trio of essays commissioned by the Sydney PEN. According to its website, PEN is ‘an association of writers devoted to freedom of expression in Australia’. In this book, three major Australian authors discuss the roles that tolerance, prejudice and fear have played in contemporary Australian society. This is a society in which traditional ideas about national identity and race have been variously championed and attacked. The result is thought-provoking and engrossing.

The text opens with Christos Tsiolkas’s essay on tolerance. Tsiolkas argues that it is no coincidence that a liberal ‘politics of tolerance’ has become popular during an historical period in which neo-conservatism has flourished. Gideon Haigh follows with an essay on the cultural ‘narcissism’ that swept through Australia during John Howard’s eleven years as prime minister. During this period, Haigh argues, Australian culture became ‘shallow, thick-skinned, aloof from the world’s problems, impervious to the sufferings of others – then retracting in angry confusion at the hint of questioning, raging petulantly when crossed …’ The third piece is Alexis Wright’s analysis of the harmful and infectious nature of fear. This is a topic that both Tsiolkas and Haigh raise at different points in their essays. Wright argues that Anglo-Australians have long been socialised to fear ‘Aboriginal people and … law’, while a ‘fearfulness of white Australia’ has arisen within Aboriginal culture. Wright concludes her piece by arguing that literary fiction can offer an effective mode of political resistance in a period when both major political parties in Australia are essentially singing the same neo-conservative tune.

So often, the language used to discuss Australian literature is that of anxiety. A.A. Phillips’s ‘cultural cringe’, coined in 1950, is never far from the critical surface as readers and commentators grapple with questions of national and literary identity. The report of the 1995 Miles Franklin Award’s judges offers one such example ...

As I turned the last pages of Christos Tsiolkas’ new novel The Jesus Man, the news broke of the killings at Columbine High School. I had just noted that the novel reminded me of some feminist art from the 1970s in which a woman exhibited a series of used Modess, and that The Jesus Man was the literary and male equivalent – a series of used condoms. The Jesus Man will always exist between these two images for me. Tsiolkas makes a genuine effort to explore adolescent male sexuality and its connection to pornography and violence and how these relate to contemporary media and technologies, important issues certainly.

The fanzine is not a magazine. It bypasses and subverts the economics of commercial publishing and it reasserts the creative link between writing and production. Zines can also, because of the ‘terrorism’ of their production and distribution, bypass the convoluted legalistic boundaries of copyright. Graphics, slabs of text, photos, and images are photocopied, scanned, and pasted into fanzine, then cut-up, reassembled, and often made to assume an oppositional symbolic meaning to that of the original image.

Christos Tsiolkas, author of Loaded, is a 29-year-old gay, Greek-Australian who lives in Melbourne. His essays, journalism, and reviews have appeared in the gay press, ethnic press, student, and left-wing journals.

How do you give a plot description of this book without entering into the very language that it problematises? Ari is young, unemployed, Greek and gay ... Or Ari is a poofter wog, a slut, a conscientious objector from the workforce ...