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Australian Literature

Debra Adelaide reviews 'Peripheral Vision' by Paddy O'Reilly

Debra Adelaide
Wednesday, 29 July 2015

Just as there are ways of writing short story collections, there are also ways of reading them. I used to be a rummager, picking through collections, seeking out the title piece, dipping in here and there to ascertain the feel of the stories, then reading the book from start to finish. Conscious now of the architecture of collections, of the fact that the author has ...

Published in August 2015, no. 373

Kerryn Goldsworthy on 'The Slap' by Christos Tsiolkas

Kerryn Goldsworthy
Tuesday, 30 June 2015
The slap that I wanted to deliver with that book was to a culture in Australia that had literally made me sick, sick to the stomach. A middle class culture that struck me as incredibly selfish and ungenerous … I wanted to try and write a book ... that represented that culture. And to do that, honestly, I had to put myself in the middle of it. I also had to put my Greekness in the mid ...
Published in Reading Australia

Reading Australia: 'The Female Eunuch' by Germaine Greer

Miriam Cosic
Wednesday, 24 June 2015

When Germaine Greer’s The Female Eunuch was published in 1970, it created a sensation. Within six months, it had almost sold out its second print run and had been translated into eight languages. Simone de Beauvoir’s The Second Sex, the influence of which critics see in Greer’s book, had come out in France in 1949. The Feminine Mystique, b ...

Published in April 2016, no. 380

My postgraduate student frowned. ‘The Gathering? Isn’t that the one where someone sets a dog on fire?’ Spoiler alert: indeed it is. It is the book’s most memorable scene; it is certainly the most horrific. My postgrad had read Isobelle Carmody’s 1993 novel in high school and that was the first memory of it which surfaced. The scene shocked readers a ...

Published in Reading Australia

‘The mind retires from such speculation, unsatisfied but impressed’

Joseph Furphy, Such is Life

Michael Wilding’s biographical study traces in minute detail the interwoven lives of Adam Lindsay Gordon, Marcus Clarke, and Henry Kendall as their destinies converged on Mel ...

In 1977 the aspiring poet Alan Gould travelled through Europe with his friend Kevin Hart. Just such a tour forms the narrative thread for Gould’s latest novel, The Poets’ Stairwell. This is a roman à clef and those in the know will enjoy the identification game.

More interesting, though, is the intellectual journey; Gould’s virginal twenty-seve ...

David Whish-Wilson reviews 'Coming Rain' by Stephen Daisley

David Whish-Wilson
Thursday, 28 May 2015

For this reviewer, it’s been a long five years since the publication of Stephen Daisley’s Traitor (2010). The rightly acclaimed and award-winning début novel wrote of the terrors of war, and the life on the land of one irreparably damaged New Zealand soldier, David. As an exploration of the damage done to an ordinary and unappreciated man, the prose was ...

Rose Lucas reviews 'The Mothers' by Rod Jones

Rose Lucas
Thursday, 28 May 2015

Rod Jones’s new novel, The Mothers, works on a number of levels. It provides a social and familial history of life in Melbourne’s working-class suburbs throughout the twentieth century while also telling the often moving stories of individuals connected across generations, usually mothers and children, battling to survive in adverse circumstances.

Kevin Rabalais reviews 'The Wonder Lover' by Malcolm Knox

Kevin Rabalais
Thursday, 28 May 2015

Since the publication of his début novel, Summerland (2000), Malcolm Knox has established himself as one of the most ambitious and exciting fiction writers at work in Australia. A seasoned journalist, recipient of two Walkley Awards– one for his work, with Caroline Overington, in the exposé of Norma Khouri– and prolific author of diverse non-fiction wor ...

Kerryn Goldsworthy reviews 'Forever Young' by Steven Carroll

Kerryn Goldsworthy
Wednesday, 27 May 2015
Most Australians, if asked to name a date they associate with the name Gough Whitlam, would say ‘11 November 1975’. Steven Carroll subverts this expectation at the outset ... ... (read more)