In 1979 in the town of Paradise Lake, women of fifty favour blue knitwear and Peter Jackson cigarettes. They cook sponges without a recipe, don’t mind a brandy and dry, and love their grandchildren with an intensity that takes some of them by surprise. They’re most readily distinguished, one from another, according to their golf handicaps and the generosity of their judgements.
Jolley Prize 2012 (Winner): 'Patterns in Nature' by Sue Hurley
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Sue Hurley has an MBA from the University of Melbourne and a Masters of Creative Writing from UTS. Her first novel, Love at the Railway Hotel, was published in 2010, and she is currently working on a second, about a team of corporate crime investigators. She lives in Sydney with her husband and three daughters.
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This story moved me. I read it over, and over again.Monday, 15 February 2016 22:18 posted by Su
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One gorgeous story... Congratulations!Friday, 01 August 2014 16:27 posted by George
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December 2018, no. 407
• Books of the Year: 34 critics and authors, including Michelle de Kretser, Fiona Wright, Beejay Silcox, Gregory Day, and Gideon Haigh, nominate their favourite books of 2018.
• Review of the Month: Glyn Davis on David Marr’s new collection of speeches, essays, and stories, My Country.
• Peter Goldsworthy lauds the Collected Poems of Les Murray.
• Professor Joy Damousi on the controversial vetoing of eleven ARC grants, and brief statements from a further thirteen academics.
• Andrea Goldsmith’s tribute to her late partner and poet Dorothy Porter.
November 2018, no. 406
• Review of the Month: Paul Strangio on Laura Tingle’s new Quarterly Essay Follow the Leader on Australian politics
• Beejay Silcox’s new Fellowship essay on the evolution of misery literature and trauma voyeurism in fiction
• Arts Highlights of the Year: twenty-nine critics nominate their most memorable events across the arts
• Astrid Edwards reviews Clementine Ford’s new book Boys Will Be Boys
• Jane Cadzow reviews the new memoir from Gillian Triggs
• Varun Ghosh on Bob Woodward’s book on Donald Trump
• Maggie MacKellar on Clare Wright’s new history of women’s progress in Australia