Poetry

Steven Carroll on T.S Eliot in 'Tarantula's Web'

Steven Carroll
Wednesday, 30 October 2013

Private Eye said of Stephen Spender that he wasn’t so much famous as that he knew a lot of famous people. They might have said the same of John Hayward. His editorial and scholarly work notwithstanding, it’s doubtful that a biography of him would have been written had it not been for his close friendship with the premier poet of ...

Rose Lucas reviews 'Stone Scar Air Water' by Judy Johnson

Rose Lucas
Friday, 27 September 2013

Judy Johnson’s sixth collection of poetry brings us a strong range of closely observed, powerful poems. As the title suggests, they are all linked together by elemental themes: the apparent solidity of stone, the persistence of scar tissue, the promises of air, and the complex gifts of water. In their often very ...

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It’s not just history that is written by the victors, but the encyclopedias, too. The eighteenth-century encyclopedias, such as Diderot’s Encyclopédie, were the projects of emergent superpowers, evidence of both the Enlightenment dream of universal knowledge and burgeoning colonial impulses ...

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Some things just don’t appear to go together, unless you are good at puzzles. A fox, a goose, and a bag of beans, for instance; or maybe a wolf, a goat, and a cabbage. Then there are Australia, love, and poetry. Australians and poetry can’t be left alone together, can they, and don’t expressions of love ...

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Bronwyn Lea reviews 'Six Different Windows'

Bronwyn Lea
Wednesday, 28 August 2013

Seen through one window, Paul Hetherington’s Six Different Windows appears to be a collection of poems concerned with the death of art. Such a theme is perhaps not surprising given that Hetherington, in addition to his seven books of poems, edited three volumes of Donald Friend’s diaries for the National Library of Australia, the last of which was s ...

Anthony Lynch reviews Luke Davies's 'Four Plots for Magnets'

Anthony Lynch
Wednesday, 28 August 2013

In 1982 a young Steve Kelen published a slim volume by an even younger poet by the name of Luke Davies. Four Plots for Magnets was a chapbook of thirteen poems written mostly when the poet was eighteen and nineteen. Published by Glandular Press, an outlet established by Kelen and the painter Ken Searle in 1980, this ‘sampler’ (as Kelen later calls i ...

Gig Ryan reviews 'Home by Dark' by Pam Brown

Gig Ryan
Thursday, 27 June 2013

Home by Dark is Pam Brown’s seventeenth book. She has also published ten chapbooks, including two collaborations. Brown’s poems are mostly elliptical, pithy, hewn into slight lines that imply or jest. Each poem manoeuvres and collects the everyday. It is an aesthetic of accumulation, a bricolage that ...

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Anthony Lynch on Corey Wakeling's 'Goad Omen'

Anthony Lynch
Thursday, 27 June 2013

Early in his Literary Theory: An Introduction, Terry Eagleton quotes the Russian formalist critic Roman Jakobson: ‘[literature is writing that represents] organised violence committed on ordinary speech.’ I don’t know if Corey Wakeling has been influenced by the formalists’ theories, but Goad Omen, his energetic first collection, is reple ...

'The Cambridge Companion to American Poetry Since 1945'

Alexander Howard
Thursday, 27 June 2013

The scene: a cold, bright January day in the snow-covered capital of the United States. The occasion: the presidential inauguration of John F. Kennedy. Up to the podium steps America’s unofficial poet laureate, eighty-six-year-old Robert Frost. Temporarily blinded by the glare of brilliant sunshine and freshly fallen snow, Frost sets aside the handwritten te ...

There are some poets whose works only seem to come alive when seen in the light of their other poems. Andrew Sant may well be one of these. A Sant poem, read on its own, can often seem thoughtful but rather lightweight; embedded in one of his books, given a context by the surrounding poems, it becomes animated by a set of consistent themes and obsessions.

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