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During the day. I love reverie. It’s underrated. As T.E. Lawrence put it: ‘The dreamers of the day are dangerous men, for they may act their dream, to make it possible. This I did.’
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To find cogency, peace, quiet, and joy; to practise radical attention to the world, to be an activist through words, and to forge solidarity through imagination.
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I wish we had critics reviewing books who weren’t writers or academics but who were simply passionate readers involved in various walks of life. At present, criticism seems a mixed bag. Some reviewers are terrific, others seem to merely describe rather than come to grips adequately with what they are reviewing.
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Many of my dreams have to do with the sea. Sometimes they concern Antarctica, an exciting prelude to going into the interior with other people.
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Why do you write?
It is the one ambition I’ve ever had. Some bleak days I think that my desire to write is no more than an unshakeable habit. On other days I think that writing allows me to have and make other worlds. All the difficulty of writing is in service to this freedom. Also, the habit of writing renews experience: it makes me notice things with a new distance and curiosity, and wonder how they might work in writing; it means that I always have something to think about on the train.
Are you a vivid dreamer?
Yes, but my most vivid dreams are nightmares. They make me glad to wake. I miss the dreams of flying that I had when I was growing up.
... (read more)Why do you write?
It’s not really a choice, but a necessity. Usually, it is the pressure of an idea or an emotional state that only seems to be satisfactorily released as words on a page. Sometimes, if there is a choice involved, it is in choosing not to write.
Are you a vivid dreamer?
Yes. A lot of my work originates in dream. Glissando began as a transcription of a dream I had longer ago than I care to admit.
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To stop time, to figure it all out.
Are you a vivid dreamer?
Yes. And prone to sleep talking and singing and, absurdly, trumpet fanfares. As a child I had a recurring dream of flying crocodiles, concluding with the subtitle ‘Christian Television Association’.
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A Confederacy of Dunces always makes me laugh. The book I’ve read the most number of times is a collection of essays about animals and insects called The Red Hourglass, by Gordon Grice.
... (read more)Why do you write?
It seems to be the only way I can make sense of things. I am often surprised that everybody doesn’t feel like this. It is such a profound thrill to work with fiction and to see the patterns emerge, to feel the rhythm of the story as it develops.
Are you a vivid dreamer?
There’s a thing that happens – I am asleep, but I seem to be awake watching a full colour dramatisation on a kind of screen. If I shut my eyes the scene disappears, but when I open them, it resumes and does not stop.
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Are you a vivid dreamer?
Yes, in general I am, but I have three kinds of dream: those that are dully bureaucratic at root; those that revisit the emblematic landscapes or cities of earlier dreams; and wild, coloured dreams with a green welcoming ocean or dark monsters.
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