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Book of the Week

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Writers describing the contemporary moment abound. Many do it well, but few do it as shrewdly as Jia Tolentino. With Trick Mirror: Reflections on self-delusion, Tolentino has produced a début collection of essays so insightful ...

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Wiradjuri writer Tara June Winch is not afraid to play with the form and shape of fiction. Her dazzling début, Swallow the Air (2006), is a short novel in vignettes that moves quickly through striking images and poetic prose ...

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It’s a challenge to navigate the maze of books published after an election as winners and losers pore over the entrails of victory and defeat. It’s even more challenging when that election delivers a result almost nobody expected. Who’s telling the truth? Who’s lying to protect their legacy?

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Minotaur by Peter Goldsworthy

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August 2019, no. 413

Halfway through Minotaur, Peter Goldsworthy’s jauntily satisfying novel about a sharp-tongued former motorcycle cop blinded by a bullet to the head, Detective Sergeant Rick Zadow gropes his way to a shed behind his Adelaide cottage. Inside lies a partially dismantled 1962 Green Frame Ducati 750SS ...

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Animalia by Jean-Baptiste Del Amo, translated by Frank Wynne

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August 2019, no. 413

If you’re squeamish, this book probably isn’t for you. Each page delivers shocking or mundane violence and descriptions of guts and gore so frank they become a kind of poetry. There is clear relish in Del Amo’s depictions, and there is nothing gratuitous about them; he brings us rivetingly close to each fold of decrepit skin, the agonies of labour ...

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Mouthful of Birds: Stories by Samanta Schweblin, translated by Megan McDowell

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August 2019, no. 413

Despite seven years of expatriate life in Germany, the Argentine Samanta Schweblin’s writerly gaze, like that of Australia’s Peter Carey or Janette Turner Hospital, remains trained upon her homeland: ‘I write from outside, literally and in a literary sense. But always looking toward Argentina.’ Schweblin acknowledges a debt to the fantastic ...

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Fear has always been a dominant element of human existence, across all human societies, but has our attitude to it changed? It might be argued that our concern with threats has become more pronounced. Is the twenty-first century an especially fearful period in human history ...

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Requiem with Yellow Butterflies begins, aptly, with a death. Sitting at his office in Brisbane, the author receives news that Gabriel García Márquez has died at his home in Mexico. Across the world, there is a mushrooming of obituaries. Garlands of yellow butterflies are draped from trees and buildings; outside Mexico City’s Palacio de Bellas Artes ...

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Holocaust historian Deborah Lipstadt is renowned as the woman who defeated David Irving in court after he sued her for describing him as a Holocaust denier. Her portrayal by Rachel Weisz in the film Denial (2016) ensured that Lipstadt and her landmark victory achieved even wider celebrity ...

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What distinguishes man from machines? What is artificial life, death, progress? These are just some of the questions Jeanette Winterson explores in her brilliant new novel, Frankissstein, a modern take on Mary Shelley’s masterpiece, Frankenstein. Two warnings: first, the structure is complex, as the narrative segues ...

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