Poetry

Jessica L. Wilkinson won the 2014 Peter Porter Poetry Prize with ‘Arrival Platform Humlet', a phantasmagoria of typographical and lexical invention whirling around a tune of the same name by Percy Grainger. This book performs the same service for his whole life and oeuvre, to stunning effect.

Grainger (188 ...

Alex Skovron’s impressive volume of new and selected poems, Towards the Equator, drawn from all of his published work to date, shows him to be a writer of recurrent and abiding preoccupations. He cares passionately and sometimes rather fastidiously about culture (particularly European culture), and continually worries about words, books, and their import. H ...

As popular culture has long understood (hello Priscilla, hello Muriel), there is something queer about Australia. Michael Farrell’s latest collection of poems, Cocky’s Joy, rewrites Australia as a site of almost-inherent queerness. ‘Cocky’ is antipodean slang for a farmer, but the term’s evocation here is surely a camp subversion of traditional, mas ...

Discussing the genesis of a poem, W.H. Auden told Paris Review that at any given time he had two things on his mind: ‘a theme that interests me and a problem of verbal form, meter, diction, etc. The theme looks for the right form; the form looks for the right theme. When the two come together, I am able to start writing.’ Australian poet Jordie Albiston ...

Chris Edwards is an enigmatic presence in Australian poetry. Part of a generation of poets who came of age in the 1970s, he co-edited the short-lived Beyond Poetry (1974–76) but then abandoned publication for many years. With the onset of a new millennium, he unexpectedly re-emerged, publishing a series of chapbooks that culminated in his first full-length ...

Writers who move in mid-career from one literary genre to another often encounter resistance. Some turfs are well guarded. They can also misapprehend the new form they are planning to join. John Upton, who for almost thirty years has been a successful playwright and screenwriter, has made the difficult move seamlessly in this first collection of poems.

Jennifer Maiden’s eighteenth book of poetry bears yet another title punning on war (remember Tactics, The Problem of Evil, The Occupying Forces, The Border Loss, Acoustic Shadow, Friendly Fire). Her umbrella themes – politics, power, evil, the public and private selves, war, and the role of art – are back. The title is ...