Poetry

A few pages into this collection we read the line: ‘all of it is lies’. ‘It’ signals the irritation that motivates much of Pam Brown’s writing in click here for what we do. Memory, in these poems, is a problem. Brown’s is very much a poetry of movement: she desires to stay light and mobile, not to be detained by memory ...

... (read more)

I have no idea if Pitt Street Poetry is located in Pitt Street, in the centre of Sydney’s CBD, but it has certainly made itself central to poetry publishing in Australia. Its list includes such fine poets as Eileen Chong, John Foulcher, Jean Kent, and Anthony Lawrence; that reputation will be added to by these books from Geoff Page ...

... (read more)

Judith Bishop reviews 'Zanzibar Light' by Philip Mead

Judith Bishop
Friday, 25 May 2018

There is a shimmering, ludic intelligence to this collection of poems, Philip Mead’s first since 1984. The word ‘comeback’ is apt, with its grace note of gladness for renewed possibilities. Opening any new work, the anticipation is acute: will I be changed by reading this, and if so, how? What might I think, feel, or recognise ...

... (read more)

Both Adam Aitken’s Archipelago and Elizabeth Allen’s Present examine the establishment and mutability of identity in the worlds of objects, histories, literature, and media in which they place their speakers. Of course, the exploration of identity is a common theme of poetry, particularly as it pertains to how the material of language ...

... (read more)

This poem, cited in its entirety, is ‘My Poor Son’ by the Polish writer Ryszard Krynicki, who will be seventy-five years old in June 2018. Likely the finest poet in the generation after Zbigniew Herbert, the dazzling philosopher of modern Polish verse who died twenty years ago, Krynicki was born in a Nazi slave labor camp ...

... (read more)

So, who reads poetry? American military cadets, that’s who. And medical specialists. Also, songwriters, journalists, and philosophers. And don’t forget (ex-) poets, priests, and politicians (to quote Sting). But let’s get back to those military cadets. What does poetry do for them? Who Reads Poetry gives us a number of ...

... (read more)

The classic lyric preoccupation with interiority, and how internal life touches and changes the outside world, finds expression in two recent collections of poetry: Fiona Wright’s ...

... (read more)

'The Boathouse' by Judith Beveridge

Judith Beveridge
Tuesday, 27 March 2018

ending on a line by John Burnside

No one on the boats, just cats – thin, furtive.
There’s the blown cry of terns and the wheedling
embarkations of crows, but you will not slip

... (read more)

'Spring Idylls' by Gig Ryan

Gig Ryan
Tuesday, 27 March 2018

1.
‘My new persona helped me to make money,’ says the streamer,
but cruel and petty, unhoped for ideal like a hovercraft shimmers
behind a definition of a chair ...

... (read more)

Jill Jones reviews 'Interval' by Judith Bishop

Jill Jones
Tuesday, 27 March 2018

Judith Bishop’s Interval appears just over a decade since the publication of her first book, also using a one-word title, Event (Salt, 2007). This gap seems far too long. Certainly, there have been two chapbooks in the intervening years – Alice Missing in Wonderland and Other Poems (2008), in the Wagtail series ...

... (read more)
Page 3 of 24