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Poetry

A book review is a review of a book. This sounds obvious enough but can put the reviewer in a position they would not wish to be in as a more casual reader: that of not just reading a book’s poems, but also feeling a need to attend to the rest of the book – that is, the book’s paratexts.

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In 1985, five (or four, depending on the source) Australian poets went on a sixteen-city reading tour of the United States and Canada. Π.O. was one of them. Originally titled ‘The Dirty T-Shirt Tour’, The Tour is ostensibly Π.O.’s diary of that trip, the dirty T-shirt standing for the narrator’s ‘difference’: his migrant, working-class background; his flouting of social conventions; his ‘performance poet’ status. While the other poets are (repeatedly) washing and ironing in their rooms, he is out walking the streets, making astute observations, meeting interesting people. Π.O. names the well-known poets and lesser entities he befriends and the famous poets he doesn’t meet – the disreputable T-shirt given as one reason for his exclusion – but he omits the identities of the poets on the tour and the tour organisers.

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'Endings', a new poem by Geoff Page. ... (read more)

parallel equators by Nathan Shepherdson & camping underground by Greg McLaren

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January-February 2024, no. 461

'Poems reawaken in us,’ writes James Longenbach, ‘the pleasure of the unintelligibility of the world.’ They do so via ‘mechanisms of self-resistance’: disjunctive strategies that work, for Longenbach, to ‘resist our intelligence almost successfully’. What ‘almost’ means here is, of course, a matter of taste – and style. Nonetheless, this Romantic mandate – that poems achieve clarity by integrating opacity – invites a question fundamental to poetics: how much resistance is too much, or not enough?

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Icaros by Tamryn Bennett & Moon Wrasse by Willo Drummond

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November 2023, no. 459

Tamryn Bennett’s Icaros and Willo Drummond’s Moon Wrasse both use the natural as their central motif. Nature has of course always been a font of inspiration for poets. These two poets draw from that font in vastly different ways. Bennett’s title refers to a form of South American song that is chanted during rituals of cleansing and healing that involve plants. Drummond’s refers to a hermaphroditic fish, the moon wrasse, which acts as a symbol of transformation.

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She Is The Earth by Ali Cobby Eckermann & More Than These Bones by Bebe Backhouse

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October 2023, no. 458

Ali Cobby Eckermann is an award-winning Yankunytjatjara/Kokatha poet and artist. In the words of Yugambeh writer Arlie Alizzi: ‘She Is the Earth is hypnotic, healing and transcendental.’ 

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There is no denying the power of poetry as thoughtful story-telling, a form of expression free from rules, conventions. It allows a safe environment for experimentation, free from the confines of traditionalism. Portraits in words, detailing the ride of life and thoughts of the mind are painted onto the canvas, where the placement of verses on a page can matter as much as the choices of words themselves.

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Andy Jackson is a poet, creative writing teacher, and a Patron of Writers Victoria. He was the inaugural Writing the Future of Health Fellow, and has co-edited disability-themed issues of Southerly and Australian Poetry Journal. Andy’s latest poetry collection is Human Looking (Giramondo, 2021), which won the ALS Gold Medal and the Prime Minister’s Literary Award for Poetry.

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Jill Jones has given many interviews about her poetry where, inevitably, an interviewer asks her, ‘What is Australian poetry?’ In one of my favourite quips, Jones says, ‘Is it only Australians who worry about what is “Australian” poetry?’ Related issues are addressed in her pithy foreword to her second volume of new and selected poems, Acrobat Music. She states, ‘I realise, and others have said, my work doesn’t fit easily into a specified school, category or type of Australian poetry.’ This provides a fortifying manifesto to her oeuvre, reflecting Jones’s interest in ‘the possibilities of the poem … form, sound, connotation, address’. 

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'Canterbury Bell', a new poem by Andrea Brady.

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