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Indigenous Studies

Many good books are published about Australian art, but few change the way we see and understand it. When Andrew Sayers’ ​Aboriginal Artists of the Nineteenth Century appeared in August 1994, it immediately did that, as the critic Bruce James was quick to recognise

Whether you love or hate lawyer–activist Noel Pearson’s ideas, you have to admire his chutzpah, his willingness to put his ideas out there for public discussion and debate, even if his own dogmatism sometimes limits his diplomatic engagements ...

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Behind the Doors: An art history from Yuendumu by Philip Jones with Warlukurlangu Artists

by
August 2014, no. 363

The painting of the Yuendumu doors in 1984 by Warlpiri artists, whose country is north-west of Alice Springs, represented an extraordinary moment in Australian art and modern art generally. In the 1980s some Aboriginal elders painted the doors in the Yuendumu School building to prompt students to show respect for their school and as a marker of their culture. It was the first time that they had painted using acrylics (not ochres), in colours never before used, to record the major stories of their community.

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Protests, Land Rights and Riots examines indigenous politics in New South Wales in the 1980s. The discussion focuses on several protests, including the infamous 1987 ‘Brewarrina riot’, which followed the death of a young Aboriginal man in police custody, as well as a 1990 demonstration against amendments to the Aboriginal Land Rights Act 1983 (New South Wales). Morris, an anthropologist, provides the background to these and other events, and captures the tensions that characterised indigenous politics at the time, as well as the post-colonial ‘fantasies’ and ‘anxieties’ that infused the broader society around its bicentenary.

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The Aborigines of Australia are among the more land-rich of colonised peoples. More than one fifth of Australia is under Aboriginal ownership, and a perpetual fund – established by Labor and fattened by Coalition and Labor governments – will add to this estate. To examine this recent change in Australian real estate as a ‘quiet revolution’ was a good choice of theme by Marcia Langton.

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The morgue in Gunbalanya holds no more than half a dozen corpses – and, as usual, it was full. When the Old Man died in the wet season of 2012, they had to fly him to Darwin, only to discover that the morgue there was already overcrowded. So they moved him again, this time to Katherine, where they put him on ice until the funeral. The hot climate notwithstanding, things can move at glacial speed in the Northern Territory, where the wags tell you that NT stands for ‘Not today, not tomorrow’. The big departure had stalked and yet eluded the Old Man in recent years. Now he would wait six months for his burial. Only then would he be properly ‘finished up’, as they say in Gunbalanya, a place rich in many things: poverty, and euphemisms for death, among them.

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Words matter, and there can be few more misleading ones in Australian history than ‘settlement’, as used to describe the period immediately following the arrival of the First Fleet. It connotes understanding and agreement. In Sydney Cove, by contrast, five distinct groups were present: Governor Phillip and his immediate entourage; naval vessels and their crews; a detachment of Royal Marines; a group of convicts; and the Indigenous people of the area whose home it had been for tens of thousands of years – all of them at some stage profoundly misunderstanding each other and often in major disagreement or conflict; all of them decidedly unsettled.

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Over the last few years, issues associated with underdevelopment in Aboriginal Australia have been widely canvassed in the mainstream press, led by the likes of Noel Pearson, Marcia Langton, and Peter Sutton. This new edited volume adopts a somewhat different approach to Aboriginal development, focusing on Indigenous involvement in natural resource management around Australia.

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Darrell Lewis first encountered the Victoria River District of the Northern Territory in 1971 when he worked as a field assistant for the Bureau of Mineral Resources. ‘There was an aura about the country which fired my imagination,’ he writes. Since then, as an historian and archaeologist, he has become an auth ...

One of the first things that Australians learn at school or on arrival as migrants is that this country has a rich history of war. Australia’s military tradition has been an integral part of the making of modern Australia. World War II opened doors to a wave of European migration and cultural enrichment, and each conflict since then has been followed by a similar surge of social development. Australia has grown up on war – or, at least, we have grown through it.

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