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History

Late in November 1916, the German commerce raider Wolf, laden with 100 tonnes of mines, set out on a journey of 100,000 kilometres across three oceans. After the ship reached home, in February 1918, 442 days later, its guns and mines had destroyed more than twenty Allied vessels. Hundreds of their crews and passengers had been held captive. When the voyage of the Wolf began, German U-boats were sinking hundreds of thousands of tonnes of shipping each month. The belated adoption of the convoy system drastically reduced those losses, so that the Germans, rather than the British, suffered the worse privation in the last year of the Great War. In that time, Wolf was the only German surface warship not penned up by the British naval blockade.

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In 2004, the year after the US-led invasion of Iraq, Stefan Halper, a senior diplomat who had served Republican administrations from Nixon to Reagan, published America Alone: The Neo-Conservatives and the Global Order, a celebrated and scathing critique of the neo-conservative influence on George W. Bush’s foreign policy. It was different after World War II, thought Halper, when US forces were welcomed as liberators. The occupations of Germany and Japan became models of what could be achieved. It is a theme that has found some resonance in the Obama administration.

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In the shadow of the famous romance of Ann and Matthew Flinders lies another, even sadder love story, between Flinders’s partner in exploration George Bass and his wife, Elizabeth. Bass and Flinders are so firmly bracketed in the Australian historical imagination that it comes as a surprise to find that the only references to Flinders in this collection of the Bass letters come from Elizabeth. Flinders does not even merit an entry in the biographical notes at the beginning of the book.

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According to Peter Rees’s introduction to The Other Anzacs, ‘at least 2498 nurses’ served overseas with the Australian Army Nursing Service during World War I, with about 720 in other units raised in Britain or privately sponsored. There were ‘at least 610 nurses’ in the New Zealand Army Nursing Service, and perhaps another 100 overseas. The criteria for acceptance were high. Nurses were required to have completed at least three years’ training in an approved hospital, to be aged between twenty-one and forty, and either single or widowed. The rules about marriage, however, were not always strictly observed, and as men sometimes fudged their age and other circumstances to get into the army, occasionally a woman may have disguised her marital status. But once in the Army Nursing Service, marriage usually meant resignation. If a nurse wished to keep working after she married, she had to join one of the private medical or hospital services that had come into being.

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Encounters with Australian Modern Art by Christopher Heathcote, Patrick McCaughey and Sarah Thomas

by
February 2009, no. 308

Eva Gandel and Marc Besen Married in Melbourne in 1950 and soon began collecting current art. After the closure of John Reed’s privately established but short-lived ‘Museum of Modern Art & Design of Australia’, they bought a few of its de-accessioned possessions, paintings by John Perceval and Sidney Nolan. In the 1970s they added works by recentlydeceased Sydney artists William Dobell, Ralph Balson, and Tony Tuckson. These were perceived ‘gaps’ in a collection of recent Australian art. Perhaps the systematic history of Australian art then profusely displayed in the private collection formed by their relative Joseph Brown, and first published in 1974 as Outlines of Australian Art, had inspired the Besens to be more systematic. Hitherto, they had mostly encountered local work by living artists.

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At the time that I was asked to review Rosemary Lancaster’s Je Suis Australienne: Remarkable Women in France, 1880–1945, I was reading American writer Helen Barolini’s Their Other Side: Six American Women and the Lure of Italy (2006). The books are similar: five of Lancaster’s six chapters are devoted to individual women whose lives and experience, like those in Barolini, cover the period from the late nineteenth century to the mid twentieth. Both books are very much of the transnational moment, with its preoccupations with movement, connections and experience across borders, and premises that the identities of individuals and nations are formed abroad in contact and collision with others, as well as at home. The number of studies of overseas lives continues to grow but is surpassed by transcultural life writing, including Australian, in what has been described as ‘villa/ge’ books, travel writing that is about the destination not the voyaging, about living abroad rather than touring, about subject in situ rather than ‘situ’.

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Edward Gough Whitlam bestrode the Australian political stage like a colossus for over a generation: first as federal Opposition leader, then as prime minister, and finally as martyr. A legend in his own lifetime, this last role threatens to turn him into myth. More books have been written on aspects of his short and turbulent government than on any other in Australian history. There are already three biographies: a competent quickie by journalist Laurie Oakes in 1976; an eloquent political biography by his speechwriter Graham Freudenberg in 1977; and a psychobiography by the political scientist James Walter in 1980, which depicts Whitlam in terms of a particular personality type – the grandiose narcissist.

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In his famous but tendentious 1989 essay ‘The End of History’, the American political scientist Francis Fukuyama argued that ‘we may be witnessing ... not just the end of the Cold War, or the passing of a particular period of post-war history, but the end of history’. A similar proposition might well have been made about Australian military history. By 1989 the great era of Australian military history seemed to have passed. The centrepieces of this era were the two world wars, which were so large, bloody and traumatic that they seemed destined to dominate the subject for many decades to come. What came before – the New Zealand Wars, Sudan, the Boxer Rebellion, and the Boer War – were seen as preliminary or preparatory episodes, or, as the title of one book on Sudan put it, ‘The Rehearsal’. The conflicts that followed World War II were postscripts. The performances and sacrifices of Australians in Korea, Malaya, Borneo, and Vietnam were measured against the earlier experiences of the world wars. All of Australia’s senior commanders in Vietnam had served in World War II, while most of the younger fighters there were the sons of World War II veterans.

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Sir James Murray, the famous editor of the Oxford English Dictionary, believed that the dictionary-maker’s job was to furnish each word with a biography.

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In May 1965 the Victorian police raided a nondescript terrace house in East Melbourne. They were tracking illegal abortionists. Two doctors, one an outgoing social figure, bold and brassy, the other a quiet, studious man, were performing abortions on the premises. They had refused to pay protection money, and probably the raid was inevitable. The police rampaged about, taking files and notes, and eventually found three young and very groggy women who were clearly recovering from anaesthetic. The quick-thinking women claimed to be recovering from pelvic examinations, but the police were not fooled, and the women were rushed off to the Royal Women’s Hospital where a doctor probed them and their photographs were taken, legs apart. While the women were enduring this undignified end to their surgery, the doctors too were in trouble. With good lawyers, their hearings were adjourned, but they returned to their old work, a little more quietly, but still performing abortions.

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