Film
Philippa Hawker reviews 'Movie Journal: The rise of new American cinema 1959–1971' by Jonas Mekas
'Do you really want me to fall that low, to become a film critic, one of those people who write reviews?' asks Jonas Mekas, responding with typical brio to complaints ...
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Scorsese, currently showing at the Australian Centre for the Moving Image in Melbourne, is not exactly the exhibition that is advertised, and that is a very good thing. Martin Scorsese's career has stretched over half a century and involves nearly sixty films. Yet anyone who has seen advance press ...
... (read more)Jake Wilson reviews 'Dancing to His Song: The singular cinema of Rolf de Heer' by Jane Freebury
More has been written about Rolf de Heer than about most Australian film directors of his generation, but Jane Freebury's Dancing to His Song contains ...
... (read more)Dion Kagan reviews 'Gay Directors, Gay Films? Pedro Almodóvar, Terence Davies, Todd Haynes, Gus Van Sant, John Waters' by Emanuel Levy
Emanuel Levy has had a prestigious career as a senior critic at Variety, professor of film and sociology, and jury member at fifty-four international film festivals. His exhaustive account of the careers of five gay male auteurs is peppered with quotes from his own interviews with them. This awfully titled book may frustrate some readers, including Levy's p ...
As with London buses, one waits for ages for a film based on the life of that vocal phenomenon Florence Foster Jenkins (1868–1944), and then two arrive simultaneously. Add to the mix Maggie Smith's Miss Shepherd in The Lady in the Van and it seems to be open season on eccentric ladies of ...
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Jake Wilson reviews 'Directory of World Cinema, Volume 19' edited by Ben Goldsmith, Mark David Ryan, and Geoff Lealand
Careful readers will soon notice something puzzling about this book, an attractive large-format paperback with frequent colour illustrations. Staring accusingly from the cover is the young indigenous actor Rowan McNamara, one of the stars of Warwick Thornton's 2009 love story Samson & Delilah. The image seems aptly chosen: Thornton's film is an acknowle ...
Orry George Kelly – the Oscar-winning costume designer professionally known as Orry-Kelly – was one of the many Australians who have made it big in Hollywood. He is lucky enough to have been rediscovered by one of our major filmmakers, Gillian Armstrong. Kelly's name and story are now well known, thanks to Armstrong's recent documentary, and so is the brilliant ...
Eloise Ross reviews 'Women He's Undressed' directed by Gillian Armstrong
The first time that I really took notice of Orry-Kelly’s name was when I began researching the 1933 pre-code film Baby Face a number of years ago. I became obsessed with Barbara Stanwyck’s sharp Manhattan business attire, her intricate gloves, and the fur-draped costumes she later wore as a kept woman. That the costumes were, at heart, Australian m ...
Part of a series aimed at undergraduates, Ron Wilson’s stimulating guide to American gangster cinema covers much ground in just over a hundred pages. What is especially useful about Wilson’s approach is his ability to place the genre in a context that extends beyond cinema: not so much what actual gangsters said and did, but the various discourses, from pulp nov ...