Film

Steven Spielberg may be the most beloved filmmaker alive, but this has rarely stopped critics from patronising him. ‘Such moods as alienation and melancholia have no place in his films,’ ...

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Tony Garnett, one of the most respected figures in British television drama, is also one of its most reclusive. Most people these days have almost certainly never heard of him, or, if they have, probably think he is a distant relation of Alf Garnett, of Till Death Us Do Part fame.

Even though the cantankerous Alf was a fictional character (played by ...

Latin America – the term – is an invention of a would-be emperor of Mexico, French in origin, trying in vain to strengthen the imperial project through a link to a Latinate origin, including and privileging the language and culture of the romance languages and excluding the Anglophone in the quest for colonial pre-eminence. However, long before the empire of Nap ...

As long as there have been moving images, people have fretted about cinema’s special dexterity at breaching sexual and social norms. We now have sophisticated tools to help us ...

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'Do you really want me to fall that low, to become a film critic, one of those people who write reviews?' asks Jonas Mekas, responding with typical brio to complaints ...

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Scorsese, currently showing at the Australian Centre for the Moving Image in Melbourne, is not exactly the exhibition that is advertised, and that is a very good thing. Martin Scorsese's career has stretched over half a century and involves nearly sixty films. Yet anyone who has seen advance press ...

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More has been written about Rolf de Heer than about most Australian film directors of his generation, but Jane Freebury's Dancing to His Song contains ...

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Emanuel Levy has had a prestigious career as a senior critic at Variety, professor of film and sociology, and jury member at fifty-four international film festivals. His exhaustive account of the careers of five gay male auteurs is peppered with quotes from his own interviews with them. This awfully titled book may frustrate some readers, including Levy's p ...

As with London buses, one waits for ages for a film based on the life of that vocal phenomenon Florence Foster Jenkins (1868–1944), and then two arrive simultaneously. Add to the mix Maggie Smith's Miss Shepherd in The Lady in the Van and it seems to be open season on eccentric ladies of ...

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The evocative Prologue to this book has a poetic precision that bodes well for its treatment of this too-long neglected film, and what follows more than answers such expectations.

Jake Wilson's analysis (resuscitation might be a better word) of the 1976 Australian bushranging adventure,

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