Biography

John Bunting’s portrait of Robert Menzies is a book for fans. Beautifully produced, with a handsome cover, tartan endpapers, and a royal blue marker, it is an ideal gift for those who agree with Bunting’s judgement – that Menzies was ‘grand and magnificent, the best man of his time’. It will also please those who, though more reserved in their admiration than Bunting, remember Menzies with respect and admiration.

Bunting was a member of the Prime Minister’s Department for the last seven years of Menzies prime ministership, and a senior officer in that Department from the beginning of Menzies long post-war reign in 1949. He feels that Menzies suffered a bad press after his retirement and has often been misunderstood; as he can speak with the authority of experience he has taken up his pen to write of Menzies as he knew him.

There is in the annals of Australian media reporting of international affairs, a dominant tradition of what one might well describe as the ‘Biggies’ school of journalism. ‘Pace’ Damien Parer, Blanche D’Alpuget, John Pilger, Peter Hartings and others, the ‘Biggies’ school has provided a paradigm broken but rarely.

Disraeli considered that biography – in contrast to history – is life without theory, though the result of such a policy can be arid. It needs, as well, to be portrayal without betrayal, but it more often errs in the opposite direction: who is likely to write about someone for whom she or he feels an antipathy or an indifference? Yet I am inclined to think that there is a case to be made for ‘arranged biography’, analogous to the ‘arranged marriages’ of other times and cultures.

To have or not to have children: a dilemma made possible by technological advances and the consequent loosening of social roles. Once, having children was both an almost inevitable result of adult sexual activity and, generally, a desired one. For most people, being an adult member of a society implied having and taking responsibility for children. And for many people it still does. But it is now possible for people to choose when to have children, or to choose not to have them at all. No Children by Choice is a collection of interviews with men and women who have chosen not to have children; Mature Age Mothers is a collection of interviews with women who have not had children until they are over thirty (except for Junie Morosi who had three children in her teens and another child at 45).

To start with a different biography: R.M. Kessing’s Elota’s Story: The Life and Times of a Solomon Islands Big Man (UQP, 1978) will tell you the following tale.

Much that is published on the Centre is from the perspective of the jet-and-chopper journalist, so it is with sheer delight that one greets Man from Arltunga, written from the perspective of a local and a bushman. The author’s knowledge of this country is of a rare quality. Not only is he interested in the White settlement of the area but he also has a broader appreciation for the prehistory and for the Black version of their history. In the thirteen years that Dick Kimber has lived in the Centre he has travelled extensively with Aboriginal people through their ancestral country. He has travelled the Aboriginal way, with Aboriginal navigators, journeying slowly, digressing for relatives, or for bush tucker, or for ceremonial business. His first-hand knowledge together with his affinity for the country made him an ideal companion for Walter Smith on their journey to record Walter’s story.

Occasionally, there are books of literary criticism which stay in the mind’s eye, so to speak; they endure beyond the point of short-term recall: the central argument, the general impress of thought, the singular, illuminating ideas and catchments of insight. As with Dorothy Green’s massive and intense scrutiny of Henry Handel Richardson, these books have the authority of a kind of passionate clarity, even when they seem paradoxical, or odd.

I write this review the day after the Fifth Test. Australia has finally won one. I personally wouldn’t give two squirts of goat shit for the Australian selectors but this time they can tell us what to do with our cricket bats. Peter Taylor has taken six for and two for, batted with determination, and won the man of the match. (A shocking decision, by the way. It was Jones, then daylight, then Taylor and Emburey, and I don’t like Victorian batsmen and Poms who played in South Africa.) Twelfth man for Australia was Greg Matthews, who bowls off-spin and bats with determination. Like Taylor, whom Matthews would no doubt call ‘the man’ at the moment. Does this mean Matthews is on the way out, and that Roland Fishman’s mid-career biography, Greg Matthews: The Spirit of Modern Cricket, is one of the sillier Penguins, a book destined to become as popular as Andrew Jones’s autobiography? (Remember Andrew Jones, the oncer in the federal parliament in the mid-sixties? The relevant tome used to be on sale at Mary Martin’s at ten cents, two copies five cents …)

Like those of Tom and Viv, and Scott and Zelda, the life story of George Johnston and Charmian Clift is a high drama of love, sickness, loyalty, passion, talent and suffering, with a tragic intensity not often found in Australian life. The lives of artists are now often turned into works of art themselves. Garry Kinnane’s biography and the ABC radio documentary based on it make George and Charmian more fascinating than their books, with the possible exception of My Brother Jack.

Subtle-tasting experience, dating back more than ten years, has made me suspicious of ideologues who take pen to comment on Their Own. Whether they’re, say, reviewing the fiction or writing the history of Their Own, the continuing good of the Cause tends to be a primary consideration. So my sceptical heart sank when I heard that the biography of James Duhig, Catholic Archbishop in Brisbane from 1912 to 1965, was being written by Father T.P. Boland, a priest of that diocese.