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Fiction

Seasons of War is a fictional firsthand account of the Allied invasion of Gallipoli. Opposite the title page, the blurb suggests that it offers ‘the kind of truth that only fiction can’: what it felt like to be there, and how being there transformed the Australian nation (a contention which belongs, truly, to fiction).

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Trio by Geraldine Wooller

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April 2015, no. 370

The threesome in Trio is a group of friends who meet in the United Kingdom around 1966. Celia, Marcia, and Mickey bond one ‘pea-souperof a London evening’ and soon move in together. They become extremely close, and socialise in the same (largely theatre-based) circles. Their closeness has its limits; the protagonists draw the line at ‘threefold sex’.< ...

What makes a person useful? What gives them worth and value in the world? And who gets to decide? These are some of the questions Debra Oswald explores in Useful, a novel set in suburban Sydney.

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‘My name is Frank Bascombe. I am a sportswriter.’ With those opening words in The Sportswriter (1986), Richard Ford introduced one of American literature’s more unlikely protagonists. In his fictional début, Bascombe is a former short story writer-turned-journalist, aged in his thirties, navigating suburban life in Haddam, New Jersey, after the death o ...

Midway through Kári Gíslason’s début novel, The Ash Burner, Ted, his dreamy, curious narrator, watches Anthony paint Claire. As she strikes angular poses for him, Ted reflects on how he would paint her: ‘I would have waited for the moments when she relaxed that pose and when her outline, the shape of her waist, was allowed to stand uncorrected by art o ...

Marion Halligan is a prolific writer, and this is not the first time I have reviewed one of her books. Once, when she branched out into the genre of lightweight crime – The Apricot Colonel (2006) and Murder on the Apricot Coast (2008) – I commented on the problem faced by Cassandra, the novel’s narrator. An editor-turned-author, she turns out boo ...

Fitting for a novel about a patient quest, we only fully grasp Kazuo Ishiguro’s precise intentions with The Buried Giant at the end of its final page. Until then, the reader primarily follows the elderly married couple, Axl and Beatrice, as they journey through a memory-dulling fog that hangs heavily over the land. The presence of such magical elements, inc ...

Brian Stoddart is a scholar and expert in the history of modern India, with sixteen works of non-fiction to his credit. His first novel, A Madras Miasma, is set soon after World War I. The body of an Englishwoman is found with her head buried in the rancid mud of the Buckingham Canal, behind Chepak Palace. Superintendent Christian Jolyon Brenton Le Fanu, head of the recently formed Madras City Crime Unit, and his Muslim sidekick, Sergeant Mohammad Habibullah, must solve the case as quickly as possible. They are hampered by the teeming and uncooperative population of the riverbanks, political unrest, the disquiet of the British ruling class, and, to top things off, the truculent Commissioner of Police Arthur Jepson, who is determined to ‘take [Le Fanu] out’.

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Oddfellows by Nicholas Shakespeare

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March 2015, no. 369

Two aggrieved Islamic men follow a foreign cause and wage jihad on their fellow Australians. Shouting Allahu akbar, they stage an ambush, raise a home-made flag and open fire on hundreds of men, women and children. They escape and die in a final shoot-out. They leave four dead and seven wounded.

It could be ripped from today’s headlines – except it happened a hundred years ago. On New Year’s Day in 1915, Gul Mehmet and Molla Abdullah, denizens of Ghantown, the despised Afghan settlement on the outskirts of Broken Hill, took up arms against the town’s citizens as they rode the train to the annual Oddfellows picnic. They did so in the name of the Turkish Sultan, who was calling for resistance to the Anzac invaders in their home territory.

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The Anchoress by Robyn Cadwallader

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March 2015, no. 369

This début novel by poet and author Robyn Cadwallader has its genesis in her PhD thesis on attitudes to virginity in the Middle Ages. Set in England in 1255, it is the story of Sarah, an anchoress or religious recluse, who chooses to be shut into a stone cell, measuring seven by nine paces, for life. She is seventeen.

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