Prime Cut sounds like the title of a glossy Hollywood thriller. Fortunately, Alan Carter’s début novel is a gritty and engrossing look at crime and racism in a small Western Australian town. Cato Kwong is a Chinese-Australian detective who has been working in the lowly ‘Stock Squad’ since a disastrous arrest some years before. In the novel’s openin ...
Having been ‘completely screwed over by men’, Libby Cutmore is on a self-imposed and inevitably short-lived ‘man-fast’. Although she loves her job at the (fictional) National Aboriginal Gallery in Canberra, memories of New York adventures with her friend Lauren (Manhattan Dreaming, 2010), and Libby’s own sense of exclusion now that her two closest ...
Almost two decades ago, when The Shipping News (1993) transformed Annie Proulx into an unlikely literary superstar, one might have been forgiven for...
Writing in the Guardian late last year, Philip Pullman said this of what he regards as the dominant style in contemporary fiction: ‘What I dislike about the present-tense narrative is...
Jane Sullivan’s novel, which was runner-up in the 2010 CAL Scribe Fiction Prize for a novel by a writer over thirty-five years of age, blends the powerful theme of ...
The language of wallpaper is entrancing: a velvet flock, a Réveillon arabesque, a Dufour panoramic. After ten years’ research and writing, Lyn Hughes’s fourth novel, Flock, is rich with the texture and imagery of wallpaper.
