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Arts

Film  |  Theatre  |  Art  |  Opera  |  Music  |  Television  |  Festivals

Welcome to ABR Arts, home to some of Australia's best arts journalism. We review film, theatre, opera, music, television, art exhibitions – and more. To read ABR Arts articles in full, subscribe to ABR or take out an ABR Arts subscription. Both packages give full access to our arts reviews the moment they are published online and to our extensive arts archive.

Meanwhile, the ABR Arts e-newsletter, published every second Tuesday, will keep you up-to-date as to our recent arts reviews.

 


Recent reviews

Anyone who saw Neil Armfield’s production of David Hare’s Stuff Happens at the Seymour Centre back in 2005 would surely look forward to a new collaboration between the director and author with keen anticipation. Stuff Happens was largely verbatim theatre, with actors speaking the words ...

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In the middle of Adolf Hitler’s speech to the assembled faithful on the final evening of the 1934 Nuremberg Rally which is the culmination of Leni Riefenstahl’s film Triumph of the Will, the führer conjures up a particularly heartfelt bellow from the gathering. For a moment he looks down at the podium ...

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Australian musical theatre has had a long if chequered history going back to the popular, localised melodramas and pantomimes of the nineteenth century. In the more recent past, we think of successes such as Priscilla Queen of the Desert (1994) and The Boy from Oz (2003) ...

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The Update - October 23, 2018

by
23 October 2018

In this fortnight's Update: Arts Highlights of the Year, an interview with Neil Armfield on David Hare, the Collected Works bookstore closes, two STC Patrick White awards for playwrights, the Melbourne Prize for Literature finalists, the ABR Arts Launch at the Wangaratta Jazz and Blues Festival, and giveaways for the Masters of Modern Art from the Hermitage exhibition and to Beautiful Boy ...

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Local interest in Scandinavian film and theatre seems to be rising, helped perhaps by the popularity of recent Scandinavian television noir. In the past two years, Belvoir Street Theatre has produced Henrik Ibsen’s Ghosts (1882) and An Enemy of the People (1883) ...

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More than two centuries after its first performance, Gioacchino Rossini’s Otello (1816) has finally been staged for Australian audiences thanks to the inspired selection of director Bruce Beresford and the enterprise of Melbourne Opera. But beware, if you come to the theatre expecting a ...

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On 6 March 1948 – a mere seventy years ago – the paintings that comprise this stellar exhibition of ‘Modern Art’ from St Petersburg’s great cultural repository, the State Hermitage Museum, were condemned in a decree by the Council of Ministers of the USSR as ‘the bourgeois art of ...

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Nearer the Gods, the new play from David Williamson, has been described as ‘a big departure’ from his wonted repertoire of Australian middle-class studies. It departs from contemporary Australia for seventeenth-century England in exploring the events that lead to the publication of Isaac Newton’s ...

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It’s rare to see a new Australian play remounted after its début season, but Prize Fighter, currently playing at Melbourne Festival after seasons at La Boite, Belvoir, and a regional tour, is a welcome exception. It is a transformative experience that exemplifies the social significance of live theatre ...

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Henrik Ibsen’s An Enemy of the People is both one of his most approachable and most challenging plays. The plot is universal: an individual attempts to force his community to face an uncomfortable truth and is pilloried by his neighbours. The play can be and indeed has been set in whichever country it is ...

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