ABR Arts Theatre

On Monday night I attended a performance of the Australian Ballet’s The Sleeping Beauty where the audience gasped in wonder as the curtains parted on the final act: three massive chandeliers were lit then raised above a cream and gold confection of a set which put Versailles to shame. On Thursday night, I was at Muriel’s ...

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Waiting for Godot (Wits' End / Eleventh Hour Theatre) ★★★

Andrew Fuhrmann
Monday, 27 November 2017

The original French version of Waiting for Godot was written in Paris between October 1948 and January 1949. This was a time of mass migration in Europe, when a flood of displaced humanity washed across the continent. It was a time of refugees, exiles, immigrants, fugitives, and transients. France settled more than 38,000 ...

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Scenes from a Marriage (Queensland Theatre) ★★★★

Bronwyn Lea
Monday, 20 November 2017

Famous couples from literature – from Romeo and Juliette to Bridget Jones and Mark Darcy – have enacted storylines built around rituals of courtship and the obstacles they face on the way to marrying. While the ‘marriage plot’ has never gone out of fashion – kept alive, in good part, by Hollywood’s penchant for the rom-com ...

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Three Sisters (Sydney Theatre Company) ★★★

Ian Dickson
Monday, 13 November 2017

After decades of English language Chekhov productions following in the footsteps of Stanislavsky and Komisarjevsky in which historically accurately costumed actors wandered around a stage awash with gloom and torpor declaiming Constance Garnett’s constipated translations, directors finally discovered that the plays were ...

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American Song (Red Stitch Actors' Theatre) ★★★★

Fiona Gruber
Monday, 09 October 2017

Leaves of Grass, Walt Whitman’s humanistic, wheeling manifesto of the American destiny underpins Australian playwright Joanna Murray-Smith’s one-man play, American Song, and the collection of poems form the credo and frame the questioning of its central character, Andy. The poems’ exploration of a world of natural ...

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Ghosts (Belvoir St Theatre) ★★★1/2

Ian Dickson
Thursday, 21 September 2017

When this production of Henrik Ibsen’s most controversial play was programmed, no one could have guessed how pertinent it would appear in Australia at this moment. On the surface, this account of a bourgeois woman whose attempt to escape from a loveless marriage ...

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Macbeth, directed by Geordie Brookman, artistic director of the State Theatre Company of South Australia, is the second production to showcase the STCSA’s new acting ensemble. The first, A Doll’s House, with an updated text by Elena Carapetis and also directed by Brookman ...

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Florian Zeller’s play The Father (Le Père, 2012) comes to us after acclaimed productions in Paris, London, and New York, where the playwright was hailed as an exciting young talent, and one of France’s finest writers. He wrote the play for the French actor Robert Hirsch, who was ...

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Apologia (Trafalgar Studios) ★★★

Andrew McLeod
Monday, 14 August 2017

Kristin is a renowned art historian who has built a glittering career in the face of misogyny, developing an expertise that spans Renaissance frescoes and African tribal headdress. All the while she has remained true to the ideals of her activist youth: anti-establishment, anti-capitalist ...

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It’s a provocative idea: disability as superpower. Can we imagine Joseph Merrick, the Elephant Man, as some sort mutant hero whose disfigurement is a gift? This is what the latest Malthouse production seems to be suggesting in its variation on the true story of a man with severe deformities ...

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