ABR Arts Theatre

Dead Centre and Sea Wall (Red Stitch)

Dina Ross
Monday, 20 July 2015

When Red Stitch premièred Tom Holloway’s Red Sky Morning a few years ago, it was clear that Australian theatre was witnessing the birth of a significant dramatic voice. Here were a series of interlinked monologues rich in poetic intensity, mixing Aussie vernacular with a haunting lyricism that sung of the earth and was roo ...

Mother Courage and Her Children (Belvoir St Theatre)

Ian Dickson
Monday, 15 June 2015

As our government prepares to increase our involvement in a Middle Eastern disaster we should never have taken part in, Brecht’s Mother Courage and Her Children seems more pertinent than ever.

The theatre of Bertolt Brecht has always pr ...

North by Northwest (Melbourne Theatre Company)

Doug Wallen
Tuesday, 09 June 2015

In Saul Bass’s title sequence for Alfred Hitchcock’s 1959 film North by Northwest, diagonal and vertical lines intersect to form a grid that eventually dissolves to the façade of a New York City office building. Bringing the classic spy caper to the stage for the first time, Melbourne Theatre Company uses that visu ...

The Rivers of China (Don't Look Away)

Ben Brooker
Wednesday, 03 June 2015

Australian plays good or simply fortunate enough to make it from page to stage have historically tended to meet one of two fates: canonisation or, much more likely, limited production when still new and utter neglect thereafter. Independent Melbourne theatre company Don’t Look Away, established in 2013 under the artistic direction of Phil Rouse, specialises in exh ...

Black Diggers (three stars), written by Tom Wright, directed by Wesley Enoch, and produced by the Queensland Theatre Company, received its world première at the 2014 Sydney Festival in January. Then, the full clamour of Australia’s more than $400 m ...

The Flick (Red Stitch)

Dina Ross
Monday, 04 May 2015

It is ironic that Annie Baker’s 2014 Pulitzer-Prize winning play about one of the last American cinemas to use a 35-millimeter projector is being revived by Red Stitch, whose theatre is opposite The Astor, the classic Melbourne cinema that was recently sold and will soon be transformed into a twenty-first century digital ‘palace’.

Red Stitch first perf ...

Ian Dickson reviews 'Endgame'

Ian Dickson
Friday, 10 April 2015

The fact that two of Australia’s major theatre companies are performing Endgame concurrently is, one hopes, merely a coincidence and not a reflection on the national Zeitgeist, for the play is one of the bleakest works in Samuel Beckett’s not exactly sunny canon. If Vladimir and Estragon in Waiting for Godot cling desperately to some hope, their co ...

Endgame (MTC)

Tim Byrne
Monday, 30 March 2015

Endgame. The title evokes that moment in chess when few pieces are left on the board, when the end is nigh but neither player can be confident of victory; the sense of an ending looms, but any hope of catharsis or resolution feels indulgent and premature – futile even. When the first w ...

Cut the Sky (Marrugeku Theatre)

Terri-ann White
Thursday, 05 March 2015

The world première in Perth of a new work from a Broome-based performance company was an event of considerable note. Twenty-one years of productions made in West Arnhem Land and then in Broome turns conventional wisdoms upside down in Australian terms. Many people still hold that sophisticated cultural work is made in cities and that regional or remote places yield ...

Samuel Beckett and James Joyce in Adelaide

Michael Morley
Wednesday, 04 March 2015

One might be pardoned for assuming, from the preponderance of mono-dramas at this year’s Adelaide Festival, that some mix of budgetary pressures and theatrical taste has meant that drama even the minimal Greek combination of three theatrical presences is not high on the director’s shopping list. Elsewhere, as in Perth during its recent ...

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