National Gallery of Australia
It is with the artist John Longstaff’s words of condolence, quoted above, that the Hugh Ramsay exhibition at the National Gallery of Australia in Canberra draws to a close. Ramsay (1877–1906) was a promising Australian Edwardian painter who lived and worked for a time in Europe at the start of the twentieth century. His works constitute some of the most innovative and visually arresting examples of early-twentieth-century painting in Australian collections, while his sketches and illustrated letters tell of the experiences of youth and travel in the exuberant period that preceded the Great War.... (read more)
What makes this Monet exhibition different from any other Monet exhibition? This was the question at the forefront of my mind as I approached the National Gallery of Art’s exhibition Monet: Impressionism Sunrise. As one would expect, it is an exhibition about painting – colour, brushstroke, the rendering of light and dark by artists who ...... (read more)
The National Gallery of Australia’s current Pre-Raphaelite survey exhibition, co-curated by Carol Jacobi from Tate and Lucina Ward from the NGA, feels like a family reunion. John Everett Millais’s Ophelia (1851–52) and John William Waterhouse’s The Lady of Shalott (1888) have made the long voyage from ...... (read more)
Lightness and clarity
by Christopher Menz
The initial idea was for a new front door at the National Gallery of Australia. At least that is how Ron Radford, director of the Gallery, presented it to the one thousand or so guests in his remarks at the official opening of Andrew Andersons’ and PTW Architects’ Stage One ‘New Look ...
Roy Porter wrote that ‘the portrait (above all the self-portrait), the diary and the biography (especially the autobiography) – reveal heightened perceptions of individuality, the proud ego vaunting and flaunting his own being’. This may be so, but self-portraiture is a genre that crosses many secret thresholds ...... (read more)