Forty-four years ago, Andrew Porter, that peerless and prolific music reviewer of The New Yorker magazine, cast a prophecy:
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I trust I am wrong, but sometimes it seems to me that when Elisabeth Schwarzkopf, Elisabeth Söderström, Peter Pears and Dietrich Fischer-Dieskau retire, lieder singing will become a lost art. There is no one in the younger generation who commands as they do the understanding and the technique that bring German songs to life.
In this era of the jukebox musical, it is not surprising that the seventeenth- and eighteenth-century equivalent, the pasticcio opera, should be undergoing a revival. A couple of seasons ago, New York's Metropolitan Opera created a version, The Enchanted Island, which received a mainly ...... (read more)