Melbourne Opera


Elizabeth Kertesz
Friday, 07 February 2020

Beethoven struggled with his only opera, Fidelio, for more than a decade, composing, rearranging, and composing anew until, in 1814, he declared that the opera would earn him a ‘martyr’s crown’. This tale of Leonore, who infiltrated a Spanish prison disguised as a man to liberate her husband, Florestan, allowed the composer to express his deepest thoughts on justice and freedom.

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Rob Holdsworth
Thursday, 19 September 2019

Norma, Bellini’s 1831 two-act tragedy, includes one of opera’s grand soprano roles. Requiring great vocal and acting ability, the role is up there with Lady Macbeth, Brünnhilde, and Turandot. An outstanding Norma arrives infrequently. Rosa Ponsel ...

The Flying Dutchman (Melbourne Opera) ★★★1/2

Barney Zwartz
Monday, 04 February 2019

It is easy to overlook – this side of The Ring and Tristan und Isolde – quite how radical Wagner’s first distinctly Wagnerian opera, The Flying Dutchman, really was. Written in Paris, where grand opera was utterly dominant, the opera broke with the form, style, and subject matter of grand opera and introduced Wagner’s own concepts ...

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