Jewish International Film Festival
'Joyce Carol Oates: A Body in the Service of Mind: An ever-prolific American polymath' by Sascha Morrell
Here is a list of things you won’t see the great American writer Joyce Carol Oates doing in this documentary: looting, detonating a bomb, strangling children, having sex, eating, eating human flesh, sleeping, kissing, cussing, masturbating, masturbating over a corpse, screaming, lobotomising a lover, shedding tears (though she comes close), or being murdered.
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After the uneven space operatics of Ad Astra (2019), American writer–director James Gray returns to Earth – specifically to Queens, New York, 1980 – with Armageddon Time, a burnished, contemplative, and astutely observed autobiographical coming-of-age tale. This is a rapidly escalating micro-trend in cinema; it seems that every auteur with enough critical clout will soon be expected to churn out their very own childhood memoir movie, from Alfonso Cuarón’s Roma (2018) and Kenneth Branagh’s Belfast (2021) to the upcoming self-told Steven Spielberg origin story, The Fabelmans.
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