Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Recent reviews

Film  |  Theatre  |  Art  |  Opera  |  Music  |  Television  |  Festivals

Welcome to ABR Arts, home to some of Australia's best arts journalism. We review film, theatre, opera, music, television, art exhibitions – and more. Reviews remain open for one week before being paywalled.

Sign up to ABR Arts and receive longform arts criticism to your inbox every fortnight on Tuesdays. And if you are interested in writing for ABR Arts, tell us about your passions and your expertise.

 


Recent reviews

BlacKkKlansman begins with Vivien Leigh as Scarlett O’Hara in Gone with the Wind (1939), picking her way through a mire of injured Confederate soldiers. Then it cuts to Alec Baldwin as a fictional mid-twentieth-century eugenicist spewing racist pejoratives and bilge about ...

... (read more)

Sydney Symphony Orchestra is renowned for its meaningful programs, where the individual items are connected through some historical, musical, or even technical thread. Whether most members of the audience notice that the program focuses on great Romantic masterpieces ...

... (read more)

Hugo von Hofmannsthal and Richard Strauss consciously set out to emulate Mozart in Der Rosenkavalier, and succeeded, creating not only the last great Romantic opera but the most perfect Viennese confection, and Strauss’s most-loved opera. It was an immediate hit ...

... (read more)
Stuart Skelton, a fine performer and strong, sensitive singer, is by nature and profession a Heldentenor. He is indeed heroic, not only in voice but in how he carries himself on stage. His Wagnerian heroes – Parsifal, Tristan, Lohengrin and Siegmund in Die Walküre – emerge as ... ... (read more)

We live in strange days. Matters once unlikely to raise a flicker of public criticism can now quickly became raging bushfires of self-righteous anger. Such is the accelerant power of social media. Our public discourse is, however, rarely the better for it. Subtlety and nuance are all too frequently sacrificed on the altar of a supposed moral clarity that, among othe ...

Barrie Kosky’s production of Wagner’s Die Meistersinger von Nürnberg for the famous Wagner Festival in Bayreuth (Germany) is one of the supreme artistic peaks of my long operatic-life. It had its première last year, in the first of five consecutive annual seasons; this year ... ... (read more)
The Kites of Tianjin was the fifth and final set of performances by composer and multi-instrumentalist Adam Simmons in his series The Usefulness of Art, inaugurated back in March 2017 with Concerto for Piano and Toy Band. It has proven to be an ambitious cycle ... ... (read more)

The Update - July 31, 2018

by
31 July 2018

In this fortnight's Update: The Sydney Symphony Orchestra's 2019 season, the first female director of the Art Gallery of South Australia, the full MWF program is released, the new Carlton Readings store, the Melbourne Art Fair, Australian films at the Venice International Film Awards, Ranald Macdonald on the ABC, and some giveaways ...

... (read more)

John Doyle’s production of Gaetano Donizetti’s 1837 opera dates back to 2012 – a co-production with La Fenice and Houston. It is a rather self-important production – very dour and Presbyterian. The dark cloudage never parts. There is a radical want of props ...

... (read more)

Björn Runge’s The Wife features several claustrophobic and tense scenes that take place in the back of a limousine driving Joan Castleman (Glenn Close) and her novelist husband Joe (Jonathan Pryce) through the snowy streets of Stockholm, where Joe is accepting the Nobel Prize in ...

... (read more)