ABR Arts

The Greats (Art Gallery of New South Wales)

Christopher Menz
Monday, 21 December 2015

In an age of blockbusters and ever bigger and grander exhibitions, The Greats: Masterpieces from the National Galleries of Scotland puts a compelling case for 'less is more'. This model exhibition demonstrates how satisfying a relatively small exhibition can be when the right works are chosen and installed handsomely ...

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Judas Maccabæus (St. George’s Cathedral Consort)

William Yeoman
Monday, 14 December 2015

Airings of Handel's Judas Maccabaeus are now so rare it is easy to forget that it was, in the composer's day and along with Messiah and perhaps Samson, among his most frequently performed oratorios. Nobody present at this electrifying account by a stellar quartet of soloists, the St George's Cathedral Consort ...

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Maxim Vengerov (Musica Viva)

Christopher Menz
Wednesday, 09 December 2015

In a program spanning two hundred years of violin playing – from Bach to Ravel via Beethoven, Ernst, Paganini, and Ysaÿe, with encores by Brahms and Massenet – Maxim Vengerov enthralled his Melbourne audience with incomparable musicianship and an often dazzling technique. Demonstrating his command of the ...

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Tom Roberts (National Gallery of Australia)

Christopher Menz
Tuesday, 08 December 2015

The National Gallery of Australia's summer exhibition, opened by Prime Minister Malcolm Turnbull on 2 December, is devoted to one of Australia's finest and most popular artists, Tom Roberts. This major retrospective, under the curatorship of the NGA's Anne Gray, brings together all the major paintings, many of them ...

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L'Amant jaloux (Pinchgut Opera)

Michael Halliwell
Friday, 04 December 2015

The 'anxiety of influence' is just as pertinent to music as it is to all the arts. Scholars have claimed that Mozart was strongly influenced in the composition of Le nozze di Figaro (1786), by André Grétry's (1741–1813) L'Amant jaloux (The Jealous Lover, or False Appearances) (1778). The musical and dramatic genius of ...

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Thus Spake Zarathustra (Sydney Symphony Orchestra)

Christopher Menz
Tuesday, 01 December 2015

As if to make the point that Richard Wagner's shadow looms over all the classical music that followed him, this Sydney Symphony Orchestra concert entitled Thus Spake Zarathustra began and ended with him.

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Opera Australia's short spring season in Melbourne began with the first revival of David McVicars's highly resuscitable production of Le nozze di Figaro fours stars, first seen in Sydney in August this year. It follows the British director's Don Giovanni

Middletown (Red Stitch)

Dina Ross
Monday, 23 November 2015

'Middletown. Population: stable,' says the cop on patrol, addressing the audience. 'The main street is called Main Street. The side streets are named after trees ... Things are fairly predictable. People come, people go. Crying, by the way, in both directions.' Middletown. Muddletown. Everytown. The cop's monologue sets up the premise for this play. For the next few ...

Ian Dickson reviews 'Orlando' (Sydney Theatre Company)

Ian Dickson
Tuesday, 17 November 2015

Virginia Woolf's early impression of the aristocratic, free-loving woman of letters Vita Sackville-West was not exactly complimentary: 'Not much to my severer taste – florid, moustached, parakeet coloured, with all the supple ease of the aristocracy, but not the wit of the artist.' Her opinion soon changed, however, and she found herself falling in love with the p ...

Mary Stuart (Melbourne Opera)

Rob Holdsworth
Friday, 04 September 2015

Amongst the seventy works composed by Gaetano Donizetti (1797–1848), only three, The Elixir of Love, Don Pasquale, and Lucia Di Lammermoor were regularly performed in the first half of the twentieth century, and the most popular of these, Lucia, was often presented in truncated form. After World War II, a burgeoning recording indu ...

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