Society
In 2004 Carla Reed, a thirty-year-old kindergarten teacher, began to experience a cluster of mysterious symptoms. Bruises appeared and vanished ‘like stigmata’, and a numb headache and sudden exhaustion suggested that something was ‘terribly wrong’. Her pains were ghostly and mobile. When her doctors suggested migraines and prescribed aspirin, she demanded blood tests. She received a call to come back for more tests, and still recalls the urgency in the nurse’s voice. ‘Come now,’ Reed remembers her saying. ‘Come now.’
... (read more)The Joy of Secularism: 11 Essays for How We Live Now edited by George Levine
The Adelaide Park Lands: A Social History by Patricia Sumerling
Liberty: A History of Civil Liberties in Australia by James Waghorne and Stuart Macintyre
Creating Capabilities: The Human Development Approach by Martha C. Nussbaum
If developments in relation to music and the Internet are any guide, writers and publishers will increasingly be addressing the opportunities for self-management on the Internet. For writers, there is a well-established path for sharing copyright works without charge. This is known as the Creative Commons, which publishes generic licences for use by authors in the exchange of copyright materials. These licences are intended to promote an orderly exchange of copyright works, without charge, but within the framework of copyright licensing. By using the Creative Commons licences, writers can facilitate the copyright usage of their work gratis, but in a way which protects legal rights. Blogs and other webpages are enabling self-publication for royalty-free purposes. There has never been a better opportunity for the exchange of ideas online.
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