Anna Spargo-Ryan reviews 'Jean Harley Was Here' by Heather Taylor Johnson

Anna Spargo-Ryan reviews 'Jean Harley Was Here' by Heather Taylor Johnson

Jean Harley Was Here

by Heather Taylor Johnson

University of Queensland Press $29.95 pb, 242 pp, 9780702259548

There is much to like about a well-executed set of short stories, and this is true of Jean Harley Was Here. While the book presents itself as a novel, it has more in common with Elizabeth Strout’s multi-narrator linked collection Olive Kitteridge (2008). This structural choice gives Heather Taylor Johnson enormous opportunity to explore the many aspects of grief.

Jean Harley hasn’t died – yet. Although the cover blurb refers to ‘the people [Jean] leaves behind’, her death remains a mere possibility until a third of the way through the book. There is a resignation to these early chapters: although Jean might wake up, her friends and family seem to regard her demise as inevitable and are going through the motions until it happens. We are introduced to her husband, Stan, and their son, Orion. We meet Jean’s best friends, two women who have only known one another in the context of Jean; Stan’s mother; and Charley, an ex-con who has set the whole fiasco in motion with his van.

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Published in May 2017, no. 391
Anna Spargo-Ryan

Anna Spargo-Ryan

Anna Spargo-Ryan is a Melbourne writer. She is the author of The Gulf (Picador 2017) and The Paper House (Picador 2016), and won the 2016 Horne Prize for her essay ‘The Suicide Gene’. Her writing has also appeared in Meanjin, The Lifted Brow, The Big Issue, The Guardian, and Kill Your Darlings.

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