Last Letter to a Reader: Essays
Giramondo, $26.95 pb, 126 pp
No contemporary Australian writer has higher claims to immortality than Gerald Murnane and none exhibits narrower tonal range. It’s a long time since we encountered the boy with his marbles and his liturgical colours in some Bendigo of the mind’s dreaming in Tamarisk Row (1974). There was the girl who was the embodiment of dreaming in A Lifetime on Clouds (1976). After The Plains (1982) came the high, classic Murnane with his endless talk of landscapes and women and grasslands, like a private language of longing and sorrow and contemplation.