David Foster is obsessed with opposites. He likes to play polarities of place and value against each other: in The Pure Land he contrasted Katoomba and Philadelphia, the sentimental and the intellectual; in Plumbum he put Canberra against Calcutta, the rational against the spiritual. At a talk in Canberra several years ago, he commented that it was the symmetry of the words Canberra and Calcutta that attracted him to the idea of the cities as polarities. Words themselves invite Foster to play games with meaning and suggestion, and he finds an endless source of absurdity in the gap between actuality and the words chosen to label it.
Susan Lever is the author of David Foster: The Satirist of Australia (Cambria Press, 2008) and general editor of Cambria Press’s Australian Literature Series. She has published widely on Australian literary history and contemporary Australian fiction, and is currently conducting interviews with Australian television writers for the Australian Writers’ Foundation Oral History project. She is completing a book on Australian television dramatists. Susan Lever’s interviews with Australian screenwriters are accessible through the National Film and Sound Archive, samples can be found here.
From the New Issue
Radio Girl: The story of the extraordinary Mrs Mac, pioneering engineer and wartime legend by David DuftyReviewed by Jacqueline Kent
Daddy Cool: Finding my father, the singer who swapped Hollywood fame for home in Australia by Darleen BungeyReviewed by Tali Lavi
PoliticsReviewed by Frank Bongiorno