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New South Publishing

Was Katharine Susannah Prichard one of those present at the first meetings of the Communist Party of Australia (CPA), or not? Did she or didn’t she later pass intelligence to the Soviets, as charged by historians of ASIO Desmond Ball and David Horner? What difference would it have made to have had Lesbia Harford’s full queer oeuvre before the Australian public when it was written? Why didn’t Dymphna Cusack join the CPA if, as this book asserts, her politics were just as far left as Frank Hardy’s? How aware was Eleanor Dark of First Nations activism when writing The Timeless Land (1941)? Politics sit at the heart of Australian literary history, but a raft of questions remain for contemporary readers.

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The Covid-19 pandemic changed our relationship with public health, perhaps irreparably. For many, it also changed their relationship to vaccination. Before Covid-19, few questioned the role of vaccines in public health. However, vaccine mandates, which were conflated – rightly or wrongly – with other mandated health measures, such as social distancing, face masks, and protracted lockdowns, meant that being vaccinated equated to an assault on individual freedom and well-being, the opposite of how vaccines were viewed in the past. Faith in the science supporting them is falling rapidly. According to leading epidemiologist Raina MacIntyre, the ‘impact of the anti-science movement and medical disinformation since the Covid-19 pandemic has been far-reaching’, resulting in lower vaccination rates across many preventable diseases. Add to this the ‘demonization of public health’ following the pandemic and the growing threat of a new pandemic, and you have a perfect public health storm brewing.

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Blubberland by Elizabeth Farrelly & Two Kinds of Silence by Kathryn Lomer

by
February 2008, no. 298

In this fascinating and irritating book, Elizabeth Farrelly hits out at almost everything about the modern world. She is an architect, and urban sprawl and ugly buildings are her bêtes noires, though obesity, kitsch and fakery also attract her coruscating attention.

Blubberland is a curious mixture of diatribe and philosophical treatise on cultural theory. Farrelly makes many good points: tight-knit cities, for example, are more energy-efficient than sprawling suburbs, and the ‘sea-change’ fad destroys beauty spots with little increase in happiness. She wonders ‘[w]hy we demand a built lifestyle whose habitual over-indulgence is, by even the standards of our parents’ generation, extraordinary? … Why these houses, and the suburbs full of them, are so ugly? Is it an aesthetic or a moral repugnance?

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