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Prudence Gibson

Herbariums are strange places. Part archive, part library, part museum collection, they hover in a space of plant, paper, print, and preservative. Time and space are pressed between pages representing far more than their often unprepossessing appearance suggests – complex interwoven stories of evolution, ecology, and scientific history. The herbarium is a compactus of shared and public scientific knowledge created by the collected efforts of men and women from diverse cultures, backgrounds and countries often unacknowledged and unknown, their identities subsumed to the multigenerational task of revealing the taxonomic architecture of plants, fungi, and algae.

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