The Royal Commission into Institutional Responses to Child Sexual Abuse has revealed systemic mistreatment of vulnerable children over decades. Though these crimes have not been the exclusive province of the Catholic Church, its education system has brought more children into intimate care by religious orders, and even those never abused have observed the tics of brutality in some of their teachers and mentors. In a note at the end of his new novel, In Whom We Trust, John Clanchy mentions James Joyce’s hell-fire sermon in A Portrait of the Artist as a Young Man (1916) and the recurrence of these ‘tropes of terror’ in the rhetoric he heard as a Catholic schoolboy in 1960s Melbourne. The system has long-standing practices of psychological control.
Susan Lever is the author of David Foster: The Satirist of Australia (Cambria Press, 2008) and general editor of Cambria Press’s Australian Literature Series. She has published widely on Australian literary history and contemporary Australian fiction, and is currently conducting interviews with Australian television writers for the Australian Writers’ Foundation Oral History project. She is completing a book on Australian television dramatists. Susan Lever’s interviews with Australian screenwriters are accessible through the National Film and Sound Archive, samples can be found here.