Kevin Brophy

These three new poetry collections are works by established poets at the top of their game in terms of poetic craft and the honing of insights into both life and art. These are voices developed across a significant number of previous collections, allowing for an emergence of innovation, confidence, and ease of style and mood.

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Sandstone by Andrew Taylor

by
May 1995, no. 170

On my most recent visit to Warrnambool in December 1994, the newspapers carried a tragic story about some local youths who had been digging in the coastline dunes and sandstone cliffs outside the town. One of them had died when their cave collapsed. It is this wild, unpredictably dangerous but attractive coastline that features in the title sequence to Andrew Taylor’s new book. In Sandstone, the blurb on the back cover tells us, Taylor returns ‘to the sight [sic] of his childhood’.

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Hours on each line, weeks on a stanza, months on the whole poem, but with long breaks between. Most poets spend most of their time not writing poetry, and it has to be this way.

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Kevin Brophy’s latest book is a record of the year he spent living in the remote Aboriginal community of Mulan. The community is home to predominantly Walmajarri people, and is on the edge of the Great Sandy Desert, sixteen hours’ drive from Broome. He was given a decomposing house to ...

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In this episode of Australian Book Review's States of Poetry podcast, State Editor Kevin Brophy introduces the second series of ABR's Western Australian States of Poetry anthology.