The appearance of a New and Selected Poems by a widely loved and admired poet has all the pleasures of a major retrospective, but viewed alone, without the clamour of a gallery event. It’s in the nature of retrospective to raise the banner of analysis-as-public-spectacle. What does this art mean to us, and how is it unique? The artist’s own words form part of the context for understanding the lifelong happening that is the body of work. It seems fitting, then, that Judith Beveridge’s Sun Music: New and selected poems opens with an extended author’s note.
Judith Bishop lives in Melbourne, Australia, and has studied in the United States and Britain. She is Director of Linguistic Services at a multinational language technology company. Her poems have won many awards, including the Peter Porter Poetry Prize (2006, 2011), an American Academy of Poets University prize (2004) and the Marten Bequest Travelling Scholarship (2002-2004). Her translations from French poets (Philippe Jaccottet, Gérard Macé) have appeared in Australian and international journals. Her first book, Event (Salt, 2007), won the FAW Anne Elder award and was shortlisted for the CJ Dennis Prize, the Judith Wright Calanthe Award, and the ASAL Mary Gilmore Prize. Her most recent collection is Interval (UQP, 2018).