The appearance of a New and Selected Poems by a widely loved and admired poet has all the pleasures of a major retrospective, but viewed alone, without the clamour of a gallery event. It’s in the nature of retrospective to raise the banner of analysis-as-public-spectacle. What does this art mean to us, and how is it unique? The artist’s own words form part of the context for understanding the lifelong happening that is the body of work. It seems fitting, then, that Judith Beveridge’s Sun Music: New and selected poems opens with an extended author’s note.
Read the rest of this article by subscribing to ABR. We offer a range of subscription options, including print, which can be found by clicking here. If you are already a subscriber, click 'Sign In' in the top left-hand corner of the screen. If you require assistance, contact us or consult the Frequently Asked Questions page.