‘Write about what you don’t know,’ British novelist Rose Tremain advised young authors. That has been her own strategy during a long and star-studded career. It is quite a stretch from the court of England’s Charles II in Restoration (1989), or that of Christian IV of Denmark in Music and Silence (1999), or that of the muddy goldfields of The Colour (2003) set in nineteenth-century New Zealand, or The Road Home (2008), which movingly reveals an East European migrant’s struggles in today’s London. Impressive research and an imagination that flourishes on challenge have made Tremain one of the finest and least predictable of novelists.
Read the rest of this article by subscribing to ABR. We offer a range of subscription options, including print, which can be found by clicking here. If you are already a subscriber, click 'Sign In' in the top left-hand corner of the screen. If you require assistance, contact us or consult the Frequently Asked Questions page.