Since I wrote about the golden age of television for ABR’s first film and television issue in 2015, the medium has evolved. Streaming has roared to prominence, with online services like Netflix disrupting television’s form and market as dramatically as cable did to broadcast television in the early 2000s. But where the stars of the cable era were dramas – great, brooding epics of American anti-heroes – the foul-mouthed stars of the streaming era are increasingly its comedies, which are delivering some of the most poignant stories on screen.
James McNamara is an Australian television writer based in Los Angeles. His television work includes comedy and drama writers rooms for the Academy Award-winning See-Saw Films, Matchbox Pictures/NBC Universal, Foxtel, ABC, Porchlight Films, and Endemol Shine, and developing shows for Goalpost Pictures and Playmaker Media/Sony Pictures. McNamara received ABR’s third Ian Potter Foundation Fellowship for his long-form essay, ‘The Golden Age of Television?’ (ABR, April 2015), praised by Clive James as ‘a global contribution to cultural analysis’. McNamara’s essays and criticism have also appeared in the New York Times, Washington Post, Times Literary Supplement, and The Spectator.
Born in Western Australia in 1982, McNamara received degrees in English and Law from the University of Western Australia, graduated in screenwriting from AFTRS, and holds a doctorate in English from Oxford, where he was a Clarendon Scholar. Before becoming a writer, McNamara was a litigator specialising in international disputes at a top-tier US law firm. He was recently named a BAFTA LA Newcomer.
From the New Issue
Indigenous StudiesReviewed by Jan Richardson
Last Stop Auschwitz: My story of survival from within the camp by Eddy de Wind, translated by David ColmerReviewed by Elisabeth Holdsworth
Sounds and Furies: The love–hate relationship between women and slang by Jonathon GreenReviewed by Amanda Laugesen