The last page of Henry James’s Portrait of a Lady (1881) leaves its heroine, Isabel Osmond, with an ambiguous choice. To go back into the cage of her wretched marriage might be an exercise of will for duty’s sake, or an evasion, based on fear. Readers have been disputing Isabel’s motives ever since her creator so provokingly left the door ajar. Now, distinguished Irish novelist John Banville has taken it on himself to answer the question that James left hanging. What will Isabel do next, and why?
Brenda Niall’s writing career began during her time as an academic at Monash University, where she was Reader in the Department of English. Since 1995 she has been writing full time. Her books include award-winning biographies Martin Boyd: A Life (1988), Georgiana (1995), The Boyds (2002), Judy Cassab (2005), and a memoir, Life Class (2007). Her book The Riddle of Father Hackett was shortlisted for the 2010 Magarey Medal for Biography. She is a frequent reviewer for The Age and ABR, and has been a guest at the Melbourne, Sydney, Adelaide, Brisbane, and Byron Bay literary festivals. In 2004 she was awarded an AO for services to Australian Literature. Her latest book is Can You Hear the Sea? My grandmother's story (Text Publishing, 2018).
From the New Issue
Future Proof: How to build resilience in an uncertain world by Jon CoaffeeReviewed by Tom Bamforth
Finding the Heart of the Nation: The journey of the Uluru Statement towards voice, treaty and truth by Thomas MayorReviewed by David Trigger