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Do we need them?

Dear Editor,

Forgive me for taking advantage of the hospitality of your letters column to reflect on the matter of our national honours. Evidently some professions are better than others at nominating and supporting worthy candidates. If eminent writers and artists tend to go unacknowledged, to some degree we have only ourselves to blame for not taking more active steps to insure that a case is made through the Australian Honours Secretariat in Yarralumla. The procedure is relatively time-consuming, but all relevant particulars may be found at www.itsanhonour.gov.au. (I do not find the name of this website particularly reassuring.)

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Who is, or rather who was, André Gide? I ask this because a distinguished editor warned me, on hearing that I was about to review Robert Dessaix’s enticing new book, that nowadays nobody would remember who Gide was. Ah, the years, the years! It was another story in the time of my youth ...

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About ten years ago I was interviewed on Irish radio on a matter entirely unconnected with writing. The first question the interviewer asked me was, ‘Is that yourself, Elisabeth?’ This ungrammatical question struck me as both hilarious and pertinent. I don’t remember much about the interview except that leading question.

‘Is that yourself?’ In 1959 ...

Australia’s Empire edited by Deryck M. Schreuder and Stuart Ward

by
October 2008, no. 305

One of the more successful ventures of Oxford University Press in the closing decades of the last century was a five-volume History of the British Empire. With more than a hundred contributors, this was a major undertaking, but its beginnings were not auspicious. Roger Louis, a professor at the University of Texas, Austin, was appointed editor-in-chief. That drew a public complaint from Max Beloff, an Oxford professor and founding principal of the private University of Buckingham, who was raised to the peerage by Margaret Thatcher. Beloff wanted to know why OUP was allowing an American to rewrite ‘our colonial history’.

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Jim Sharman and Rex Cramphorn (a future artistic director of Melbourne’s Playbox Theatre) first met at NIDA in the 1960s, and Sharman returned there as a tutor in the 1970s. He was then a ‘radical populist’, while Cramphorn was scholarly, mad about Racine and Corneille. But they agreed that theatre was a vocation, and shared a ‘crypto-mystical’ interest in the slippery relationship between reality and illusion. They would set up a short-lived theatre company at the Paris Theatre (later demolished), and mount two premières of Australian plays, Dorothy Hewett’s Pandora’s Cross (1978) and Louis Nowra’s Visions (1979).

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There’s a sleechy smell here, grey frogs on the bank
like slurried earth, rotund toads hopping across lily pads,
grunting like sultans trying out cushions. Fish mouth
the surface with so many unsinkable O’s, and the larval

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She trawls through reams of paper pinned in files,
stacked on shelves, heaved into the corners
of this study and other, larger rooms;
wades through spilling, perforated sheets
of printed data she cannot decipher
that concertina on the wooden floor,
stained with jam, sprinkled with old crumbs
and marked with tags that indicate some pattern
to his vanished thought – pained, slow research
that saw two hundred articles appear,
three or four a year, in august journals.
She knows the faintly sour smell of absence
that rooms so often hold after a death –
even a lonely life sweetens the air –
how furniture seems fixed when someone dies

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Who was hanged, disembowelled and quartered after printing ‘nawghtye papystycall Bookes’? William Carter. Where did English booksellers store and sell their books? For several centuries, mostly from tiny shops near St Paul’s. How tiny is tiny? Zachary and William Stewart had ten feet from their shopfront to the back of the yard. Who was the builder and owner of the Temple of the Muses, the biggest bookshop of its time? James Lackington. How did eighteenth-century booksellers use newspapers to promote their wares? Through the ‘puff’, a sensationalist pushing of a single book, and the ‘cloud’, a lengthy listing of many books. Who remaindered Jane Austen’s Emma? John Murray II. The questions, big and small, are endless, and this book provides the answers.

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The Taliban and the Crisis of Afghanistan by Robert D. Crews and Amin Tarzi (eds)

by
October 2008, no. 305

In its 250 years of statehood, Afghanistan has gone through numerous episodes of political rupture. The principal causes of these upheavals have remained more or less the same: an underdeveloped economy and the inability of the rulers to shift from a tribal political culture, to a more participatory national politics based on modern and democratic national institutions and rules of governance. As a result, with rare exceptions, the rulers of Afghanistan have depended on foreign patrons and not on the human and material resources of the nation to rule. This political milieu of buying the support of tribal leaders has led to fratricidal wars of succession and pacification, with devastating consequences, resulting in extended periods of political and social unrest and lawlessness. These bloody conflicts, often called jihad by the contestants, have facilitated and even invited foreign interventions by the British, Russians, Pakistanis, Iranians, and now the Americans and their allies.

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Mr Malik, a shy and thoughtful widower, has become enamoured with the dignified and intelligent Mrs Rose Mbikwa. Mrs Mbikwa is the leader of the Tuesday morning bird walk of the East African Ornithological Society. As Mr Malik painfully summons the courage to invite Mrs Mbikwa to the Hunt Ball, a rival appears on the scene in the form of the raffish, rich and unscrupulous Mr Khan. Instantly charmed upon meeting Mrs Mbikwa, he invites her to the annual Hunt Ball.

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