Delia Falconer

Robert Dessaix’s authorial voice reminds me of Christina Stead’s description of a small, clear wave running up a beach at low tide, playfully ‘ringing its air-bells’. He is not a writer of direct, declarative prose. Instead, Dessaix specialises in sentences that skip over and around their subjects, sometimes darting nimbly into brackets to investigate a seco ... More

When Mark Henshaw’s début, Out of the Line of Fire, appeared in 1988, it was, as literary editor Stephen Romei states in his introduction to the recent Text Classics reissue, the ‘literary sensation of the year’. A novel about an Australian author’s difficulties in writing about his fugitive subject, the young German philosopher Wolfi, it was very mu ... More

Why do you write?

I wish I knew. Living life in only one dimension, without having another world or set of characters to visit, doesn’t seem enough. I’m always happier when I’m writing, and not so easy to live with when I’m not.

Are you a vivid dreamer?
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