Brenda Walker

‘Land isn’t always meant to be grasped any more than art is, or dust,’ writes Michael Farrell in the arresting opening sentence of the first essay of Kate Leah Rendell’s Randolph Stow: Critical essays. Stow’s writing shows just how provisional meaning and territoriality can be, and the statement is a fitting beginning to a new book about his work.

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In 1976, Sigrid Nunez moved into an apartment on Riverside Drive in New York with her then boyfriend, David Reiff, and his mother, Susan Sontag. Nunez is a person who cherishes solitude. In Sempre Susan, her tribute to Sontag, she describes the strain of living with extroverts when her dream, from her teenage years, had been: ‘A single room. A chair, a table, a bed. Windows on a garden. Music. Books. A cat to teach me how to be alone with dignity.’ Sontag never wanted to be alone. Nunez was drawn into constant dinners, movies, and mountainous correspondence interrupted by telephone calls and visits, often from Joseph Brodsky, the Russian poet, who sometimes meowed like a cat instead of saying hello. (Although Nunez liked him, Brodsky was clearly not the cat of her dreams.) Sontag, objecting to a routine interview, grumbled that ‘Beckett wouldn’t do it’, which became a private refrain for Nunez, oppressed by the relentless activity of the household and the pressure for her to join in.

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A bookseller, Trevor, sits in his shop in Melbourne making conversation with his customers: an exasperating mixture of confessional, hesitant, deranged, and disruptive members of the public. One man stalks him, armed with an outrageous personal demand; another tries to apologise for assaulting him. The apology is almost as unnerving as the attack ...

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In Chris Womersley’s collection of short fiction, A Lovely and Terrible Thing, a man is caught in a fugue moment. Just after unexpectedly discharging a gun into the body of a stranger, he gazes at his reflection in a darkened window pane: ‘I saw someone outside looking in, before realising it was, in fact, my own reflection ...

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To celebrate the best books of 2018, Australian Book Review invited nearly forty contributors to nominate their favourite titles. Contributors include Michelle de Kretser

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‘In time and with water, everything changes,’ according to Leonardo da Vinci, who worked with Machiavelli on a strategic and ultimately doomed attempt to channel the flow of the Arno. Large-scale water management has had some notable successes in parts of Australia ...

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Old Growth by John Kinsella

by
April 2017, no. 390

John Kinsella’s short stories are the closest thing Australians have to Ron Rash’s tales of washed-out rural America, where weakened and solitary men stand guard over their sad patch of compromised integrity in a world of inescapable poverty, trailer homes, uninsured sickness, and amphetamine wastage. Poe’s adventure stories and internally collapsing character ...

Originally published in German, Albrecht Dümling’s The Vanished Musicians: Jewish refugees in Australia (Peter Lang), a fascinating compendium of Jewish musicians who found refuge in Australia in the 1930s and 1940s, is now available in Australian Diana K. Weekes’s excellent translation ...

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In The Simplest Words, Alex Miller's recently published work on his own journey through country, writing, love, friendship, and fatherhood, there is a remarkable scene of levitation. Miller describes his young daughter soaring up his own bookshelves, pas ...

Jennifer Maiden's The Fox Petition: New Poems (Giramondo) conjures foxes 'whose eyes were ghosts with pity' and foxes of language that transform the world's headlines

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